Umberto Lenzi

A reporter and his doctor wife try to escape from the hordes of bloodthirsty, undead people exposed to nuclear radioactivity as military leaders fight a losing war of attrition against the relentless attacks.

Director Umberto Lenzi embarks on a personal journey through his films, uncovering the creative impulses and untold stories behind his most iconic works.

'Giallo' is Italian for 'yellow', the color of the lurid pulp novels that inspired one of the most intense, extreme and influential genres in movie history. In this unprecedented collection, experience the full chronological evolution of giallo with more than 100 rare and classic trailers from such masters as Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino, Antonio Margheriti, Umberto Lenzi and many more. Then slip on black leather gloves and set the mood with a Bonus CD of legendary soundtrack music from composers that include Ennio Morricone, Riz Ortolani, Bruno Nicolai, Stelvio Cipriani and others, along with all-new featurettes that thrust even deeper into the genre. "But be warned," says Gizmodo.com, "Once you start going down the blood- slicked giallo rabbit hole, you may become dangerously obsessed."

Documentary on the short-lived craze of Italian cannibal films in the '70s and '80s, featuring interviews with Umberto Lenzi, Ruggero Deodato, Sergio Martino, Giovanni Lombardo Radice, and Robert Kerman.

Documentary on Italian genre cinema.

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

Feature-length in-depth documentary by High Rising Productions chronicling the Giallo film genre from its beginnings as early 20th century crime fiction, to its later influences on the modern slasher film genre. Featuring interviews with Dario Argento, Umberto Lenzi, Luigi Cozzi, Richard Stanley, and more.

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

Documentary examines the extraordinary success of the Edgar Wallace series in Germany: the British writer who provided the inspiration for the films was actually out of fashion worldwide in the 1950s - too old-fashioned, too dignified, too boring. Only in Germany was it different, because there was a need to catch up after the end of the Second World War. The National Socialists had banned crime thrillers in general and Edgar Wallace in particular. With a few exceptions, the Edgar Wallace films were therefore the first since the expressionist films...

An interview of Umberto Lenzi discussing the making of his film Almost Human.

2 1/2 hour-documentary on the rise and fall of one of the most controversial Italian genres every created. Starting with Deep River Savages arriving to the infamous Cannibal Ferox.

Farley Wood is hired to escort a rich widow of a DEA agent and her kid to the tropical island of San Cristobal. The widow needs protection from a gang of international terrorists and her escort soon suspects that the deceased husband was involved in dirty drug dealings. While on the island, the daughter is kidnapped by a group of seedy South American thugs and held for ransom. The cop escort gets official orders to leave the case to the FBI, but he decides to his own investigating and finds that the crime may have had political motivations.

Tarantino reveres them, and for good reason. Welcome to the world of the kings of the Italian B-Movie.

Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.

A look back at the storied career of the late, great exploitation director Umberto Lenzi - as told through the director, in one of his last substantial sit-down interviews, colleagues and critics.