Charles Bail

Two San Francisco detectives want to bring down a local hijacking boss. But they'll have to get to him before a hitman does.

A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director.

A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.

Before the U.S. Civil War rebel leader Luke Darcy sees himself as leader of a new independent Republic of Kansas but the military governor sends an ex-raider to capture Darcy.

Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.

Biker gang leader Kisum (Adam Roarke) loves waitress Marcia Little Hawk (Joanna Frank). Her brother Johnnie Little Hawk (Robert Walker, Jr.), the leader of a group of American Indians disapproves. At various times these two groups are adversaries and allies. The two groups join forces but crooked businessmen scheme to have them at each other's throats again. The theme song "Anyone for Tennis" is by Cream. The Iron Butterfly are heard playing their classic "Iron Butterfly Theme." Producer Dick Clark and director Richard Rush made "Psych-Out" earlier in the year.

In 1980, The Stunt Man, starring Peter O'Toole and Steve Railsback, became one of the most acclaimed motion pictures of the decade -- an odd mixture of black humor and riveting suspense. But the strange history of the film's embattled development, production and distribution has never been fully revealed ... until now.

A tough street kid from the L.A. barrios is discovered during an examination to have stomach tumors. During his hospitalization, he must learn to cope with not only his medical condition, but with people such as other patients, social workers and hospital personnel who come from a totally different world than he does--and they have to learn to cope with him.