Ali Lee

A decade ago, Cheung Lek was the brightest rising boxing star—known as “Golden Boy”—until a tragic incident stripped him of his freedom. Ten years later, released from prison, he comes face to face with Fong Yuen, the son he has never met. To claim the inheritance left by Fong Yuen’s mother, Cheung must learn to live with and take care of the boy. Thrust into fatherhood and confronted by past regrets, Cheung’s life is turned upside down once more. Through conflict and gradual reconciliation with his son, he begins to understand his true purpose. Confronting the ghosts of his past, Cheung decides to return to the ring—not only to reclaim his dream, but to become the role model his son deserves.

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Gino, a selfish trickster who works for a design firm where he routinely steals ideas and spars with his co-workers. Gino gets into a traffic accident and savds by his childhood love, Gillian, who's now a fireman. Being a fireman was actually Gino's childhood wish, but somewhere along the way he became a scum. Gino discovers that he has the ability to feel the emotions of those he touches. He uses the power for petty selfish reasons until a life-changing incident causes him to mend his ways.

Yi-nuo (7) and Cheng-en (10) are inseparable orphans who promised to be brothers forever. But when Yi-nuo is adopted and taken abroad, Cheng-en is left behind due to family complications. Refusing to let go, the precocious Yi-nuo begins a campaign to “sell” his best friend to his new adoptive parents. It’s a heartwarming story about a little boy trying to reunite with his “brother” against all odds.

Stuffing the face with unimaginable expressions, tears streaming down the cheeks like a waterfall, hysterical cries as if coming from a neurotic….. These “phenomena” are literally the “bad acting” that are overwhelming our movies today – loud, over the top, crude, vulgar, full of ridiculed cliches that suffocate the audience….the list goes on. The illustrious Stage Opera Director and Lecturer, Olivia Yan Wing Pui, with years of distinct teaching expertise and experience, transforms her classroom into the theater. She documents her students comprising celebrated artists and newbies, award-winning actresses or laypersons, who, in Bad Acting, forthrightly share their struggles and pains, persistence and devotion, on their objective of becoming top notch artists in their acting careers.