Tatsuya Fuji

Tatsuya Fuji

Acting

August 27, 1941
Beijing, China
132 movies

Biography

​From Wikipedia, the free encyclopedia Tatsuya Fuji (藤 竜也 Fuji Tatsuya, born 27 August 1941) is a Japanese film actor. He has appeared in 50 films since 1964, and was the first Japanese actor to appear in full-frontal nudity with explicit sexual scenes in a non-pornographic Japanese film, In the Realm of the Senses, which was released worldwide in 1976, but has yet to be shown in Japan itself. He has starred in two films (Empire of Passion and Bright Future) that have been entered into the Cann...

🎬 Tatsuya Fuji's Filmography

132 movies sorted by popularity

Hayabusa: The Long Voyage Home
6.4

In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.

Hayabusa: The Long Voyage Home

2012
Women's Police
10.0

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

Women's Police

1969
The Aftermath of War

After World War II life in Japan was hard. There was lawlessness, rapine, never enough food or money. One girl, raped by three men, called out the name of Kentaro before she died and this was something that people in this small section of downtown Tokyo remembered. Life went on, however, and local boss Hiramatsu Daizo decided to build a market, aided by his daughter Aya. They met opposition until one day a young man named Kentaro appears who it is rumored he was the vengeful lover of the murdered girl. He lives with Sabu and Yukari, the children the girl looked after before she died, and helps with the market, coming to the rescue with a bulldozer when Daizo is threatened by a rival group. When Daizo is finally killed, Kentaro carries on the work. Finally the market is completed, the rival group makes a last stand but is machine-gunned down by Kentaro who, after saying that he was not the one whose name the dying girl called out, leaves town for good.

The Aftermath of War

1967
Women's Police: Part II
7.0

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

Women's Police: Part II

1969
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