Emily Renée

In a universe where human genetic material is the most precious commodity, an impoverished young Earth woman becomes the key to strategic maneuvers and internal strife within a powerful dynasty…

YOU DON'T HAVE TO SEE IT TO BELIEVE IT. On his daily dog walk in the Peaks, Cary stumbles upon something otherworldly: a giant monolith, standing where he'd swear there was nothing before. Yet when he brings his family up to see it, the stone has inexplicably vanished. Only his son, Dru, chooses to believe him and joins the search. But out on the exposed moors with the mist finally lifting, Cary instead comes face-to-face with something that’s been there all along.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.

Ava is forced to save herself after a kiss of near-death threatens her life.

A young woman goes to the police to report her husband for domestic abuse, but rather than finding the relief she longs for, she faces a gruelling interrogation.

Over the course of a night out in a queer club, Raf struggles to find his place among the crowd until he stops trying to force the narrative and just lets himself go with the music.

As Liz and Jess debate using Jess's brother as a sperm donor, Liz's true feelings about Jess's family begin to surface, tail spinning their once-solid relationship into nosedive.