Pranami Bora

Three men in Assam— PK, Prasanna, and Atul come up with a plan to deal with various challenges they face in running their homes as one of the most stringent nationwide lock-down in the world is enforced in India due to COVID-19.

Fathered by a politician's loveless extramarital passion, Torali's life is a quest for sanctuary from her father's loveless world, but her intent to uncover his transgression gets her trapped in a mental asylum. In that very trap, she finds Samiran who takes up her fight against the wrongs of a patriarchal world.

Although Makon did not study much, the lessons that life has taught her are now the basis of her existence. It has inspired her in overcoming hardships and has enabled her to bear all pain. She has learn that life is a school in itself, which provides all the answers one seeks. Her little world comprises her husband Jadhav, a boy and a girl who are nine-ten year old. A cycle rickshaw puller, Jadhav earns barely enough to support his family. Makon runs a small shop along the footpath. Besides fulfilling their responsibilities towards their household they manage to send their children to a government school. They have greater aspirations for their children.

The film is set in a remote village of Assam,India. It revolves around Khagen, a farmer, whose wife dies is an incident. He struggles to carry the dead body in his bicycle back home from the hospital due to the unavailability of an ambulance. As he walks through the pebbled roads with the body and his young daughter,he comes across two reporters and as a result, their journey turns to a different battle altogether.

Anuradha is an Assamese language drama film directed by Rakesh Sharma and starring Meghranjani and Diganta Hazarika in the lead roles. The film was produced by Luit Kumar Barman under the banner of M L Entertainment and Cine Dream Unlimited.

Juri faces several hardships after her husband dies of AIDS. She is thrown out of her in-laws' house. Soon, she returns to her village and gives birth to a baby girl.

An Assamese film directed by Kangkan Rajkhowa. Shinyor is the story of a young journalist who, in the process of gathering news, becomes news herself.

The film is based on today's market oriented society where common people are becoming victims of the system. The film has tried to explore this aspect of society.

Jahnu lives in a remote village by the banks of the river Brahmmaputra in in Assam, Northeast India. The villagers mock him for the femininity that he proudly wears on his body. Jahnu dreams of getting an operation and becoming a woman. Jahnu's sister, Jumu, who has decided to never come out as a queer woman to protect her parent's reputation in the village, worries that Jahnu might also have to live a painful life like her, although both the siblings have never spoken about their struggles aloud. Jahnu and Jumu's elder brother, Baba is extremely unhappy about his gender nonconformist siblings who he thinks have made their family dishonorable in the village. Jahnu's life takes a drastic turn when his romantic relationship with Palash catches attention of the villagers. With Palash refusing to acknowledge the relationship, Jahnu has to decide if he would continue living a life hiding himself or let himself walk forth with his truth.

Two neighbourhood rival clubs take their gruesome fights to the stage when they decide to take part in a singing competition to win the coveted title. Film directed by Himanshu Prasad Das, starring Kumar Babesh and Amritprabha Mahanta in the lead roles.

After a long gap of more than ten years, renowned writer Priyendu Hazarika returns to the town where once he was inspired to begin his journey as a writer. A book at times imitates the author's life. Memories stir and he remembers people he loved and lost. He admits to lacking the courage to weave a painful, harsh truth into his stories. At the end of the day however, he decides to face his own truth, alone, away from the appreciative audience.

Doordarshan Eti Jantra is a 2016 Assamese language period drama film film directed by Rajesh Bhuyan and produced by Sanjiv Narain under the banner of AM Television. The story is based on National School of Drama's alumnus Himanshu Prasad Das's play Ekhon Gaonot Eta TV Asil.[1] Director Rajesh Bhuyan is also the co screenplay writer along with Santanu Rowmuria. The original playwright Himanshu Prasad Das, and Santanu Rowmuria wrote the dialogues of the film.

Alaka, a middle-aged woman in rural Assam, is confronted by the return of her queer husband after several years, whether real or a dream in its entirety, forcing her to face the unresolved pain of their fractured relationship while grappling with her own emotional survival.