Veronika Lazorčáková

Situated in Prague, a 20-year-old Vietnamese named Song, hoped for a better future in Europe. But now in a Vietnamese district in Prague, he is trapped in a marijuana grow house and has life of a modern slave. Police rounds up the place. Song runs away on the rooftop of a condo building in a nearby district where he breaks down. Mr. Rypar (78) lives alone. He is fond of the old times, living in a strong opposition to modern world. Rypar goes up on the roof and meets Song standing on the very edge of the roof crying and the story begins.

Linda and Vanda, two good-looking women in their thirties, are inseparable friends and co-owners of a small bookstore in the city center. Linda is divorced, educated and practical, has a little daughter and a sense of responsibility. Vanda, on the contrary, is single and free, attracting men as a magnet, but none of them is able to keep up with her spontaneity. Edo, shy, sensitive, and introverted gay working with them in the bookstore, longs for love for ages too. The lives of this trio get finally tangled by several men, while everything turns up differently than any of them had expected.

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"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

A young couple who goes on a trip to bring their relationship the new energy because it seems to have been exhausted and ruined.