Mia Maelzer

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.

An easy-going man ensures that the spark in his marriage stays strong by always apologizing and opting for the path of least conflict in his relationship. When his wife becomes pregnant and wishes to have the baby, he does not offer resistance, but is also not ready to be a father. How will their relationship evolve?

A poor agricultural labourer leads a double life in the village's last remaining cornfield. But the harvest is approaching.

A hedonistic teenager in Mumbai is busted for dealing drugs and goes to his estranged sister for help, but complications land her in jail.

The five-month-old baby of impoverished tribal woman Jhumpa Mahato is stolen. Two brothers, Gautam and Raman, who witness the kidnapping, try to help her and become embroiled in the complexities of the investigation.

Two sex workers decide to kick men out of the system and form a cooperative that runs the business for women and by women. How do they do things differently? And how far can they get under and overarching and overbearing patriarchy?

Favouritism towards lighter skin tones is embedded in the Indian psyche and Tamil cinema is no exception. Through conversations with industry professionals, artistes, social activists and the common people, this documentary examines the history and practice of differential treatment based on skin colour, especially regarding actresses in Tamil cinema.

‘Ek Betuke Aadmi Ki Afrah Raatein’ is an ode to love and alienation in small-town India.