Petre Constantin

In modern-day Transylvania, vampire hunts and labor strikes collide with sci-fi twists, romance, and AI-crafted tales, as multiple storylines blend folklore, classic horror, and contemporary elements into a fresh take on Dracula's legend.

One worker in a bankrupt factory finds an unusual solution to save his co-workers from unemployment. If it doesn't work the factory will be privatized and sold to a French company planning to convert the plant into a snail cannery. Only 300 of the 3000 workers will keep their jobs.

Four teenagers find a lost treasure buried by a 18th century pirate on a desert island. But they accidentally release the monster who lives inside a bottle, keeping the treasure.

Constructed in the tone of a tragicomedy, the film, through the realistic situations it presents, excludes parody of any kind and leaves room for lyricism and humor. It also brings before the audience a story that will appear to us as something indifferent to the society in which it takes place, indifferent to the political and social, depending exclusively on the state of the individual himself. The double ecstasy has found a novel form of expression, the only undeniable fact. It was realized when Ion Iliescu was still "posing" as president of the country.