Aurora Quattrocchi

12-year-old Renato experiences three significant events on the same day: the beginning of the Second World War, getting a bike, and witnessing the arrival of the gorgeous Malèna. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed dead, and, through his soul, we see his love for her.

The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.

A reluctant summer together transforms into an enchanting adventure when a young boy discovers his aunt's mysterious Sicilian house holds secrets and, perhaps, ancient spirits lurking within its walls.

Clara and Felice struggle to raise their three children in 1970s Rome. The eldest, Andrea, is transgender and yearns for another life where he gets to live as the boy he knows himself to be. Clara instinctively strives to protect her son by escaping into their imaginations to defuse family tensions.

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Felice returns to his native Rione Sanità in Naples to look after his dying mother, having lived abroad for the last forty years. Here he discovers that his old friend Oreste has become a notorious crimeboss.

A former narcotics smuggler, now living peaceably in the Calabrian hills, is drawn back into his family’s drug-trade dynasty by his impetuous teenage son.

In 1950s Sicily, con artist Joe Moretti does screen tests for the big studios, accepting money or favours for his efforts. A young illiterate novitiate named Beata desperately wants to change her life and falls for him; belatedly, he realizes his feelings for her. However, their love affair is doomed when he's arrested.

Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.

Cetto la Qualunque, having set aside all political ambition, is now nothing more than an entrepreneur. But the news of the worsening condition of his aunt leads him to return to Italy, where something from his past will be revealed and, “doubtlessly,” all of our lives will be forever changed.

It's 1943 and World War II is raging in Europe. In New York, Arturo and Flora the daughter of a restaurant owner are in love, but she is promised in marriage to the son of a Mafia boss. There is a way around this, but to be able to marry Flora, Arturo needs to get permission from her father, who lives in a village in Sicily. Arturo doesn't have any money, so the only way he can get to Sicily is to enlist in the U.S. Army, which is preparing for a landing on the island.

It is Christmas 1908 in Messina, one of the richest merchant cities of the Mediterranean. Peter, the 13 year-old son of a rich English family is notorious for his cruelty to children, animals and servants. One night he is ambushed and wakes up in a coffin underground in the city's Gothic cemetery, buried in retaliation for his callousness by a servant boy from his mother's estate. When a powerful earthquake razes Messina to the ground, Peter is trapped and his whereabouts are forgotten. Until a century later an English archaeologist and his daughter arrive in the city.

Marco, a teacher from Milan, relocates to Palermo and takes a temporary job teaching in a juvenile detention centre while he waits for a high school teaching position. He tries to understand and motivate his handful of students, encouraging them to stand up for their rights, finding out about their histories: Natale, in for murder and enamored with the Mafia; Pietro, who can't seem to stay out of jail; Claudio, barely 14 and learning to stand up for himself; and Mery, a trans sex worker, who was arrested after a fight with a trick who didn't want to pay her, and is now stuck in a male prison.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick. They call it "o 'imbroglie din t'o lenzuolo" - "The Trick in the Sheet", as white sheets were used for screening.

An aimless young troublemaker, Alessandro, squanders his days gambling and getting into fights, and he often spends his nights in jail. With few prospects, he begrudgingly accepts a job as a companion to Giorgio, an elderly poet suffering from Alzheimer’s. On their daily walks, the two banter and become friends, and Alessandro quickly learns more about this forgotten poet as the old man’s memory drifts. After learning a secret from Giorgio’s past, Alessandro and his friends work to uncover the mystery of this tale, an unexpected history lesson and a touching coming-of-age adventure.

Nina is a little girl going through a very difficult time in her life. In search of lost harmony, something pushes her beyond the realm of the possible.

Ivan and Chiara meet on a Sicilian island to prepare the wedding for Ivan’s brother and Chiara’s best friend. Despite the fact that Ivan is determined not to repeat the failure of his last relationship and Chiara does not want to jeopardise her marriage, the two fall in love with each other. They resolve to live their relationship for only a few days and then break it off when the wedding guests arrive on the island. But can love be controlled? Or is it love that controls us?

1860. Giuseppe Garibaldi began from Quarto the adventure of the Thousand surrounded by the enthusiasm of the young idealists who had come from all regions of Italy, and with his loyal group of officers, among whom a new profile stands out. Having landed in Sicily, at Marsala, the Thousand begin fighting with the Bourbon army, whose numerical preponderance is immediately evident. Under these conditions, it appears almost impossible for the general to breach the enemy defense and penetrate Palermo. But when he is almost forced to retreat, Garibaldi devises an ingenious plan.

Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.

The bad romance between Luisa Ferida and Osvaldo Valenti, two of the foremost movie stars in Fascist Italy, who were supporters of the regime to the bitter end, and shared its brutal downfall.

During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.

Enza is a beautiful and lively Sicilian teenager who is starting out in life, but due to her naivety, she always ends up getting into trouble. She has no parents, but lives with her aunt and uncle together with her older sister who acts as her mother and tries to put her on the right path, even ending up in prison for some time. Enza, keeping faith with her rebellious nature, falls in love with Sebastiano, with whom she has her first sexual relations, but for him she also goes as far as stealing. All men are the same.

Gilda has long since moved to a small southern island and earns her living as a prostitute in a context suspended between retrograde traditions and modernity. During one summer, his destiny intersects with that of Olivia and Crocetta, two women from the area, the former a happy wife and the latter an ugly, unlucky wife. The three are forced by fortuitous circumstances to come together to save themselves but their behavior attracts the suspicions of Nino Malachia, a brusque police commissioner who is convinced that they are hiding something.

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The life and times of Pippo Fava, a Sicilian journalist who fought the Mafia through his local newspaper in the '70s and early '80s, meeting an untimely end.

100 years ago, a terrible earthquake, followed by an equally terrible tidal wave, devastated and largely destroyed Messina and Reggio Calabria.

Barbara and Matteo are two Italians who live in Miami, managing a small restaurant overlooking the sea. Barbara is pregnant and the happy event brings their respective parents together in Miami: Massimo, Matteo's father, who has recently become a widower and has a hotel in Cortina, and Angela, Barbara's mother, who instead has a chain of restaurants and is separated from her husband. At first, the incompatibility between the two is sky-high. Then, while events, misunderstandings and plots of various kinds revolve around them, the ice slowly begins to break and affinities emerge when the two find themselves busy restoring peace between their children, who have entered into a crisis due to the birth of the little girl.

With the continuous arrival of migrants to Palermo, a councilor becomes the legal guardian of hundreds of children while also dealing with her own family problems.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

Perugia. The police are carrying away the body of a young woman when they hear a sigh: Rosa Lazar is still alive. The assistant district attorney Cristina Camponeschi and psychologist Stefano Mangiaboschi investigate, but Rosa seems unaware of the attack she has endured and hides the truth. For Cristina, the girl is the key to an international crime ring; for Stefano, the start of an inner journey that will lead him to reveal the true enigma of Rosa Lazar.

The film traces the 57 days after the assassination of his friend and fellow anti-Mafia judge Giovanni Falcone when Paolo Borsellino must come to terms with his own inescapable destiny.

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Inside a warehouse in Palermo, a group of people smashes a man’s arm to pieces with a wheelie bag packed with weights. This is the method used by an amateur criminal organization that fractures the limbs of its willing victims before staging fake accidents and raking in the insurance payouts. Vincenzo recruits the individuals from among the down-and-outs that haunt the city streets, where Luisa is a habitué, since she gets her crack there. Vincenzo’s problems suddenly get worse, though, after a series of mistakes shut him out of the gang, and Luisa is now his only chance: he convinces her to have her bones broken.

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In this lengthy interview rumbles the wisdom of a voice that remains even though the person who emits it is no longer there. In fact, Nino Drago died in October 2024, little remembered by his colleagues and fellow careerists, leaving behind this lengthy confession that combines sagacity and bitterness, and that, while evoking real-life chronicles, does not let flickers of creativity escape.