Bertrand Tavernier

Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Alexandre Taillard de Vorms is a force to be reckoned with. With his silver mane and tanned, athletic body, he stalks the world stage as Minister of Foreign Affairs for France, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity, and efficacy. Enter Arthur Vlaminck. Hired to write the minister's speeches, Arthur must contend with the sensibilities of his boss and the dirty dealings within the Quai d'Orsay, the ministry's home.

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

After several days without seeing Sylvie, the object of his desire again, a nameless law student becomes involved with Jacqueline, who works at the local bakery. Eventually, he has to choose when he arranges dates with both on the same day.

The first episode of a new arts documentary program from BBC Scotland was dedicated to Michael Powell in his centenary year. The program interviews many people who knew or worked with him or were influenced by his work.

If Jean Rochefort remains so dear to our hearts, it is because this extraordinary actor alone embodies a cinema and a France imbued with freedom and carelessness. Through his films, archives and the testimony of those close to him, we discover a complex man, a sad clown saved by his taste for words and for fun.

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

This documentary recounts the life of the late composer Michel Legrand, known for his works on Les Parapluies de Cherbourg or Les Demoiselles De Rochefort with the famous director Jacques Demy.

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

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In this documentary, produced by Philippe Quinconneau for StudioCanal, editor Françoise Bonnot, actor Jean-Pierre Cassel, composer Éric Demarsan, writer and filmmaker Philippe Labro, cinematographer Pierre Lhomme, and filmmaker Bertrand Tavernier share insights and anecdotes about Jean-Pierre Melville's 1969 film ARMY OF SHADOWS.

A half English, half French screenwriter visits her parents on the Riviera after her father's heart surgery. Once there, she begins to connect with him in a way she never did before, as each member of the family tries to cope with his imminent death.

Agnes Varda's documentary of the celebrations arising from the 25th anniversary of her husband Jacques Demy's film The Young Girls of Rochefort.

Hollywood careers are full of make-or-break moments. For Clint Eastwood, one such moment came when studio powers agreed to let him make his directing debut. That story and others comprise this portrait of the famed Hollywood icon. His career is explored via an array of film clips, interviews and more.

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Documentary about George Gershwin directed by Alain Resnais with various celebrities speaking on their admiration and affection for Gershwin's music.

Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape—with U.S. help—to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.

Created in 1966 by Jean-Marie Rodon and Jean-Max Causse, the Action cinemas has succeeded in establishing itself as the leading group for the distribution of classic cinema in the world.

Born in Chaville in 1897 and having died in Paris in 1990, Philippe Soupault was a poet, a politically engaged journalist, a radio broadcaster, and the author of numerous novels. In 1919, Soupault and his friend Breton engaged in early experiments with automatic writing. The resulting texts were published under the title "Les Champs magnétiques" (Magnetic Fields), a work that would become a landmark in the history of the Surrealist movement. Soupault contributed to the early days of "La Révolution surréaliste" but ceased his involvement with the movement to embark on a series of journeys across Europe, America, and Russia.

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.

Documentary on the French-Algerian conflict 1954-1962 which was never officially called a "war", including interviews with some of the survivors.

The life and the films , not excluding the reference to Domage qu elle soit une putain, of Romy Scheiner recreated grace words of people who knows her in different circumstances.

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Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

Thanks to a series of unpublished interviews, recorded shortly before his death, director Claude Sautet gives us a fascinating lesson in cinema. Through his thirteen films, he tells about his career and his work as a director.

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Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.

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Part one of a BBC documentary about Jean Renoir.

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Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

The first part of a documentary made by Bertrand and Nils Tavernier, following a letter judged provocative by the Minister of Integration at the time, who spent several months in the Grands Pêchers housing estate in Montreuil, giving voice to its inhabitants. The problems of unemployment, racism, integration and delinquency are addressed.

Filmmaker Jean Achache shot extensively on the set of ’Round Midnight. This documentary presents that material for the first time, including footage of director Bertrand Tavernier, production designer Alexandre Trauner, and other members of the cast and crew.

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Interview with Bertrand Tavernier, Charles Drazin and Olivier Bouvet about Michael Powell's Peeping Tom.

Elia Kazan represented the American dream. An immigrant who came without anything and who became the Prince of Hollywood and Broadway after World War II. Actor, theater director, filmmaker, writer, he is the founder of Actor’s Studio, a collaborator of Arthur Miller and Tennessee Williams, and a director who discovered Marlon Brando and James Dean.

The history of RKO - one of the legendary "Big Five" studios of the Hollywood’s Golden Age, from its creation in 1928 (when the movies started talking) to its demise in 1956, largely due to the mismanagement by its last CEO, Howard Hughes. During this period, RKO produced some 550 films including some of cinema’s great masterpieces ("King Kong", "Citizen Kane", the Fred Astaire/Ginger Rogers films, "Bringing Up Baby") and launched the career of famous stars such as Katherine Hepburn and Robert Mitchum. Film lovers will enjoy the many extracts from RKO’s most famous movies.

A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.

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