Panayotis Botinis

Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.

A group of Greek soldiers are assigned to run the Cinematographic Unit of the army in the midst of political unrest.

"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.

Based on the book by Ilias Venezis "The Number 31328", the film by Nikos Koundouros unfolds through the personal tragedies of three characters, the Asia Minor Disaster and the agonizing travails of the Asia Minor Greeks who had been arrested and led to death by Kemal's troops and armed groups of Muslims. The wife of a merchant, a teacher and a seventeen-year old boy try to survive, following the column of prisoners into the depths of Asia Minor.

Seven months after the declaration of the Greco-Italian War, a volunteer nurse and a small group of confidants who take part in the Resistance, face incarceration and horrible tortures, as they refuse to betray their country.

Two prisoners escape from the prison and they end up hidding in a small remote village trying to cross the borders.

A retired diplomat has begun writing a historical novel about the legendary Captain Meϊtanos, who lived in the 17th century. Initially, he was a klepht (bandit), then an armatolos (member of irregular forces), then a klepht again, until finally winding up in the Ottoman hangman’s noose. Captain Meϊtanos was described by monks who lived for many years after his death, recounting his activities and passing on his story. Memories are revived; snatches of a story and mystery emerge, such as that of a holy icon painted in 1715 by the iconographer Vaϊos – an icon which adds additional color and detail to this story.

A 50 year old journalist, son of a civil war hero, who died fighting for the right forces is shattered, when he recognizes him in a documentary, fighting for the communists. He starts searching for the truth, despite his family's objections, who fear that they will lose privileges if the status of the dead changes after the search.