Angharad Rees

"They say that in the wood you get what nearly everybody here is longing for – a second chance." J. M. Barrie's fantasy play, depicting alternative realities for its characters and their eventual return to real life.

A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father's spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?

Orlando is forced to work like a servant for his brother Oliver, so he goes to win his fortune in a wrestling contest, where he meets a lady of the court, Rosalind. Rosalind (daughter of the deposed duke) is companion to Celia, niece of the deposed Duke, and when the current duke banishes Rosalind from the kingdom, she, Celia, the court jester (and incidentally Orlando) all end up in the forest or Arden, where the deposed Duke holds court. Romantic mixups, cross-dressing, love poems nailed to trees, and a lion await them all.

While on vacation, a woman's husband is taken by the Russian government. After one attempt fails, she begins looking for a suitable spy to capture and trade in exchange for her husband, but she develops an attraction to the one she thinks is a good candidate.

Egyptologist Robin Ellis and American reporter Eva Marie Saint uncover King Tut's burial site but wealthy profiteer Raymond Burr tries to make sure that the valuable artifacts in its chambers never leave the country.

Once upon a time in the village of Kromer lived two beautiful young wolves. Cocksure Gabriel takes newcomer Seth under his paw and helps reconcile him to the vilification associated with being a wolf. They fall head-over-heels in puppy love, playing together around picturesque waterfalls, secluded woodlands, and moonlit lakes. One day a wicked old crone and her goofy sidekick kill their mistress, frame the wolves, and incite a torch-bearing mob of religious zealots to seek vengeance on the hapless pair. But who will live happily ever after?

An ageing surgeon falls in love with a thirteen-year-old girl.

In the presence of HM Queen Elizabeth The Queen Mother accompanied by Their Royal Highnesses The Prince and Princess of Wales. From the stage of the Victoria Palace Theatre stars from the world of entertainment bring you comedy and music.

Tom Kovack is a hard-nosed racecar driver until a sudden supernatural vision causes a near-fatal crash while he's hurtling down the backstretch at 140 miles per hour. Michele Brent is the woman who convinces Kovack that his visions are significant. She leads him to the manor house that appeared in his vision, which in turn leads him into a world of revenge and murder from beyond the grave. Kovack must tap into his newfound power to conquer the evil forces at work.

The life of the greatest poet of his age is unraveled by biographer and filmmaker Andrew Sinclair – the visionary who transformed Thomas’ Under Milk Wood into a motion picture in 1972. Dylan on Dylan traces Thomas’ journey from fascinated child to fêted, weary adult via classic acting performances from Burton, Hemmings et al, all the while analysed by Sinclair in his own unique, microscopic style. A major addition to the Thomas canon. Cambridge Film Festival 2014: http://www.cambridgefilmfestival.org.uk/films/2014/dylan-on-dylan

Dick Foster is adopted as a child, but has grown into a youth who causes problems and upsets.

Emphasises the importance of professional knowledge of an organisation’s stocks or services in dealing with difficult customers. Highlights the customer who parades their knowledge, the silent customer who cannot communicate his needs and the finicky customer who requires every detail. Features John Cleese, Anghared Rees, Patricia Routledge, Bernard Cribbins and Lynn Redgrave.

Married college professor Michael Lane falls in love with one of his students and hatches an elaborate scheme to dispose of his wife, Elizabeth. His murder plot goes as planned. However, he soon receives an anonymous note: "I know what you did, murderer!" Prof. Lane frantically tries to discover who knows his secret...

Shows John Cleese learning how to deal with "difficult customers" in a professional yet friendly manner and turn them into clients.

The delightful if peculiar story of a day in the life of a small, Welsh fishing village called "Llareggub" in which we meet a host of curious characters (and ghosts) through the 'eyes' of Blind Captain Cat.

Can Professor Higgins transform flower-girl Eliza Dolittle into a great lady?

A depressed middle-aged man, revisiting the seaside resort he often vacationed at as a child, encounters a highly optimistic and carefree young woman who attempts to reason him out of following through on his suicidal thoughts.

The McAuleys are local celebrities and Eileen Hughes, a young shop assistant, is flattered to be taken under their wing. Then she accepts their invitation to join them for a week's holiday in London ...

In this 1970s comedy, a Catholic man contemplates going against his priest's guidance on contraceptives when his wife wants to stop having children.

Men behave in a beastly, chauvinistic manner at an office party, turning what should be a fun break from work into an exercise in bad taste.

The religious beliefs of pet shop owner Joe (Freddie Jones) are shaken by the terminal illness of his daughter Lucy (Angharad Rees). For Potter, this play "makes more than a wry nod at possibilities which can comprehend pain, or disgust, or the implacable presence of death itself."