Julietta Hering

Kolya Semenov grew up in a village, in a fishing village near the river. He likes a girl who wants to become an actress. Once Kolya steals a gazelle to impress the girl. Ahead of him are several years of roads and hills.

Nine-year-old Yurik is living with relatives after his mother died and his father went missing. His friend, Zayats, is one of the few who survived the bombing of Minsk and now understands what things and animals think. One day, the "Wild Animals of the World" exhibition comes to town, and the boys are eager to attend, but they need money to get there.

The movie tells the story of Franz, a Waffen-SS soldier who deserts, and Polina, a Belarusian woman whose village is razed and people massacred.

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Maria is a doctor and a mother to a young daughter; she still holds out hope that her husband, who went missing in the mountains, will return home. This state of waiting is driving her to the brink of madness. But fate has even harsher trials in store for her, pulling her into a turbulent sequence of events involving four men from her own circle. Threatening phone calls, bizarre encounters with strangers, being followed—and, ultimately, an attempt on her life. Maria’s nerves are frayed to the limit; she begins to suspect everyone. Pushed to the edge, she enlists the help of a private investigator to launch her own investigation…

She always has a plan. For each his own. For everyone another name. One needs Vera (Faith), another Nadezhda (Hope). And almost all need Liubov (Love). She leaves every one at his own time. She finds a reason. But who knows where deceit ends which people buy only for the sake of money, and when genuine feelings begin? And who knows who she is: just a kept woman in the capital, or an artful swindler, or a talented actress, or a woman who is able only to love? To love them all.

Four women, dividing their world into real and fictional, living only with feelings, constantly craving their own self-realization.

Inspired by a 1975 American touring production of Thornton Wilder’s “Our Town” he visited as a young man, Dmitry Krymov’s “Everyone is Here” is a memory piece, a starting point for a flight of imagination and immersion into his own past. Wilder’s “Our Town” is superimposed on the personal memories of Krymov, his biography and events from his family life. The structure of the play gives rise to an interweaving of events, memories, reminiscences, fantasies, associations, dreams - a carefully planned, as if random confusion, which in the finale leads the viewer to a keen awareness of their own life.