Goyo Anchou

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost. The film explores several love stories, both heterosexual and homosexual, in different pasts and presents, focusing on memory and what might have happened.

A remake of the 1943 film of the same name.