Miko

The second part of an erotic drama, portraying housewives in a housing complex who succumb to their desires and indulge in sensuality. It erotically depicts the love and lust of three different women: Ryoko, an ordinary housewife; Ayumi, who is laid-back and marches to the beat of her own drum; and Shizuko, the leader of a group of housewives who repeatedly cheat on their husbands.

Ryoko Kiribayashi is an ordinary housewife who has never doubted her happy life with her husband. She listens to her friend Shizuko's wild sex life, but thinks it's a distant world that has nothing to do with her. Then one day, a classmate moves in...

A failing musician, Hajime decides to settle for a local DJ. He marries Miki, one of his fans, but it turns out that once in a while, she "sheds" her skin after they make love - freaking Hajime out.

The Taisho era marked the beginning of modernism. Kyoko Tachibana, a tomboyish girl, was still climbing trees even at the age of 18, and her boundless curiosity about everything constantly worried her father, Shuzo, and her rickshaw driver, Rokunosuke.

A brutal mix of horror and survival, this film throws young women into a world where every moment could be their last. The fear feels constant and overwhelming, but what stands out is how they adapt, resist, and push back against the violence. It’s raw, tense, and uncomfortably real.. the kind of story that makes you wonder how you’d react in the same situation.

In 1978, at the Kyoto nightclub "Barami," Ryuji Kagawa (Toru Minegishi), boss of the Yamada-gumi, was gunned down. The man targeting the leader of Japan's largest organization was Wataru Naruse (Kazuyoshi Ozawa) of the Nihon Makoto-kai. This is the story of a reckless conflict—likened to "ants" challenging a "giant elephant"—as men, seeking vengeance for their boss, the first president of the Nihon Makoto-kai, Katsuichi Yoshimura (Hitoshi Ozawa), take on Japan's largest organization.