Eva Řepíková

A group of outcasts, including a vagabond and a prostitute, gather at the outskirts of the industrial area of a large Czech city, one of the things that helps some of them survive is alcohol.

The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.

A funny movie about life and adventures of the five inseparable friends from little town in south Czech republic.

Petr and Lída Kadlec are moving to a dilapidated mill in the Bohemian Forest, which they plan to convert into a restaurant. Unsuspected obstacles from the locals get in the way of their dreams and ideas.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

An allegory set in an archetypal Czech village, it tells the story of what happens when a series of mysterious events take place, including the disappearance of the station master. While everything has a rational explanation, collective paranoia takes over and everyone's worst instincts are unleashed. Interrogations, disenfranchisement, and the search for scapegoats ultimately lead to murder. The movie was completed in 1969, but it was banned and not released till 1990, Evald Schorm who died in 1988 never saw it completed.

The story of a music academy student Zdenek, who meets a charming girl, and without realizing also gets a son with her. Dealing with such a situation is not easy, especially when one day the child's mother disappears. Twenty year old Zdenek faces a serious decision. Although he is aware that a child may endanger his studies and perhaps even future career, he refuses to entrust him to the care of the state institution.

Emperor Francis Joseph I is about to arrive in Prague, and among those who came to Stromovka to welcome him is Veronika Pavlitová. She wants to submit a request for clemency for her imprisoned father to the emperor, because she is barely able to support herself and her siblings on the meager salary of a seamstress. By chance, the girl meets Božena Němcová, whom she admires immensely. She becomes her friend and confidant for a while. However, police director Paümann, who has been following Božena Němcová for a long time, takes advantage of the naivety of the young girl. Veronika, in her simple-mindedness, tells him many things. Only later will she understand how she was abused.

Set in a bleak, filth-ridden provincial hospital, a disillusioned doctor begins to find the philosophical ramblings of a mental patient more stimulating than the company of "sane" society. As their relationship deepens amidst the grimy and decaying wards, the doctor's own mental health is called into question by his suspicious colleagues.

An aristocratic woman suffers a severe nervous breakdown and is subsequently institutionalized following a disastrous infidelity. She descends into madness while grappling with intense psychological torment and the fallout of her social and personal life.

At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

Princess Julia doesn't want to marry an old prince Hubert so she runs away from home. She meets two old magicians and join the circus, where she meets lovely Franta Kuldan and evil devil performer.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

Roman Hlava grew up with his diplomat parents in Latin America where he had been home-schooled by his over doting mother. The over indulgence of affection and praise has given the boy an over confidence. This is quickly squashed by his new peers when the family returns to the Czech Republic. This leads to neurotic tics and the nickname Mrkácek the 'Blinker.' A stay at a children's camp provides new friends, acceptance, an appreciation of nature, a new outlook on life, and loss of the tics.

Albrechtice near Jablonec. Sixteen-year-old Pavlínka Linková lives with her grandmother Barbara, a local midwife who raised her after the death of the girl's parents. The charming girl experiences her first amorous outburst towards Pavel Žák, a young textile worker in nearby Svárovo. Her grandmother, however, prevents her from contacting Pavel in every possible way. Firstly, as a midwife, she knows well what can happen, and secondly, she remembers her old adventures well. Love, however, cannot be ordered around, especially not by a worried grandmother. But there are other obstacles. The textile workers of Svárovo are planning a strike and a demonstration against redundancies and wage cuts, and the factory director is preparing a vigorous response. The year is 1870 and the unsuspecting Pavlina finds herself in the middle of events that will go down in history...

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

A comedy about two bumbling policemen investigating an alleged rape in a small Czech town. One of the alleged rapists is supposed to get married the day he's locked up.

The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.

A Czech art film set in a modern village. The main character of the film is Karla Tolarová, a worker from a Prague printing house, who arrives for a harvest shift at a unified agricultural cooperative in Běšíčice at a critical time for the cooperative. The grain in the fields is ripe, the machine-tractor station does not have the necessary machines for the cooperative, the cooperative members do not trust each other, they lose interest in working together.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

The war will also affect children's games. The children hide a French boy who has managed to escape from a prison transport. Language differences certainly don't matter when sporting talent is on display. The refugee becomes a welcome addition to the schoolboy football team, which is about to play against the German soldiers.