Jamil McCraven

Yuri, 16, has lived all his life in Gagarin Towers, a vast red-brick housing project on the outskirts of Paris. He dreams of becoming an astronaut. When plans to demolish Gagarin Towers leak out, Yuri joins the resistance. With his friends Diana and Houssam, he embarks on a mission to save their home, which has become his “starship.”

Some young folks, tired of the society they're living in, plan a bomb attack over Paris before taking shelter for a night in a shopping center.

Thirty-something Mehdi is a safecracker. He and his mates are just trying to get by, but robbery isn’t paying like it used to. Day to day Mehdi tries to be a good son to his mother, and a good father to his 1-year-old son to win back his ex, Sarah.

In the last days of the summer, a group of teenagers prepare for the police re-enactment of an event that occurred a month earlier. Fatim face more than the others the return of her friend, Helena, who is accused of the case.

Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.

Because he forgot his identity card, Elias cannot take the entrance exam to Sciences Po. In search of a job while waiting to be able to take the exam again, he becomes an educator in a children's home. Confronted with an environment he doesn't know how to work, Elias doesn't yet know how much this experience will change his life.

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

Even though they don’t know each other very much, Inès (14) and Abdel (15) decide to have their first time together. The big day arrives and Inès is called to help out a neighbor to babysit her two kids Moussa (3) and Balla (5). Inès is determined to go through with their plan and asks Abdel to join her at her neighbor’s apartment. But the two children and their friends don’t stop to interrupt them in their pursuit. And so, they are forced to get to know each other in a different way.