Sanna Sundqvist

Set in Cold War in 1961, follows the story of diplomat and economist Dag Hammarskjöld, who boards a plane in a desperate attempt to negotiate a ceasefire from his enemies after he leads UN troops into their first wartime operation.

Suddenly alone during the late stages of her pregnancy, Sara receives an unexpected lifeline when Linda, her estranged older sister, arrives.

Successful cartoonist Lisa and her siblings gather at their parents' farm for the first time in over ten years. The parents want only one of them to inherit the forest, which has been in the family's possessions for generations.

A humorous and feminist look at love, examining famous couples in history.

Set on a long-haul flight where the entertainment systems fail, an eclectic group of international passengers are forced to face the horror of being bored.

The story revolve around five couples of different generations. Their lives are woven together by coincidences but sometimes through very deliberate choices where the common driving force is the search for love.

The film revolves around Jocke, a parent who begins secretly meeting other dads of young children to “let loose the sides of themselves that don’t quite fit into everyday life.”

A performance of good advice from the Dramaten in Stockholm. Liv Strömquist and Ada Berger make a humorous observation of little popes, newly saved experts, sexy lecturers, self-care, helplessness and the longing for eternal life.

At a creative firm somewhere in Stockholm, there's a short break in a meeting. Cecilia relates an anecdote from a hen party, about a 'Turk kiosk' that turned out to be closed. Asal, relatively new at the workplace, questions Cecilia's choice of words, and this seriously offends Cecilia. In the end it's Asal who is accused of inappropriate behaviour.

Parents wait all their lives for their children to say "Thank you!" And the children in turn wait for a "Sorry!". This impossible equation is the starting point in the comedy "Call Mom!" Niki has just turned 35 and has to suddenly grasp all the life choices and relationships she dug for.

A woman visits her childhood home one last time and accidentally discovers an old answering machine. It still works. On the tape, she hears a message from the past, her own childhood voice and her father's: "We are not home right now. Please leave a message after the tone..." A glitch from another time. But when the message ends, there is suddenly another one.

Change is coming to the midsummer party at Barnens ö. There's a rumour that Joey Tempest has moved in next door. Meanwhile the family's youngest member, Alba, has just learned to walk and takes every opportunity to escape from the ever drunker adults.

Mankind has always been on the move. Sometimes escaping from something but often also searching for something else.

The Andersson family and the Blixt family is going to Karin's aunt Hulda to celebrate Midsummer. But just before they leave, Sophie breaks up with Sune! The disaster is gigantic. Sune decides to win Sophie back by celebrating a truly romantic midsummer with her - just like mom and dad did 20 years ago. But the question is whether Sune thinks too much about everything being good in his way, and forgets that not everyone thinks like him ...

A short film from the inside of an eating disorder.

On vacation in Stockholm, a teenage daughter is left wandering the city alone when her mother suffers from a sudden mental breakdown. Coming of age becomes an equally sudden necessity.

It's Lovisa's birthday and everything she picked for the party is perfect; the right theme, the right food, the right booze and above all - the right guests. Johan is coming and she needs to make a good impression. So who is Lars? The guy that suddenly shows up one hour early and with way to many roses? And why is he acting like there is something going on between them? As the evening progresses, Lars starts to act more and more embarrasing. Lovisa is desperate, Johan will misunderstand everything! So what to do?

Filmed stage production of Molière's comedic play The Miser about the dangers of greed.

A colorful, musical and humorous performance with both bizarre and everyday scenes. What happens to love when we try to choose a partner in a rational way? How does romance fare when we only care about our own happiness? And what can we really learn from Socrates, Beyoncé, Lord Byron and Leonardo DiCaprio before we all become discerning consumers in the singles market? Direction and dramatization by Ada Berger inspired by Liv Strömquist's book "The Reddest Rose Blooms".