Gaston Rébuffat

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

At once a high-level musician, member of the October Group, entertainer, theater artist, film actor, mountaineer, and skier, Maurice Baquet, always on the move, structured his life around two common threads: the cello and the mountains. He once defined himself as a "cellist-skier," "all alone" in this category, which prompted James Couttet, world ski champion, to say: "Of all the skiers I know, he's the best cellist." Echoing this, Professor at the Conservatoire National Supérieur, André Navarra, added: "Of all the cellists I know, he's the best skier." Throughout his varied yet coherent career, Baquet helped to project a joyful and artistic image of the mountains. Who better to talk about Maurice and all his adventures than his alter-ego: Cérébos, the faithful cello that never left his side? From Paris to Chamonix, from the stage to the granite slabs and snowy slopes, this film follows Cérébos, crossing the century and above all... smiling!

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

Retrospective of four major peaks climbed by French expeditions: Annapurna (8078m) in 1950; Makalu (8481m) in 1955; Mustagh Tower (7273m) in 1956 and Le Jannu (7710m) in 1962. A film by Lucien Berardini and Jean-Marie Perthus with the support of the French Alpine Club and the FFME (French Mountain and Climbing Federation).

In 1950, a French expedition led by Maurice Herzog went to central Nepal to conquer the highest peak (8,091 meters): Annapurna. The film is not only made of what we see, but even more of what we don't see. Its imperfections are the negative imprint of the adventure. Memory is the most faithful of films.

History, advice and demonstrations of mountaineering in the Mont Blanc massif by the renowned guides of the National School of Ski and Mountaineering from Chamonix. The film starts with an historical summary illustrating the aspirations and methods that lead man to conquer the mountains. Armand Charlet teaches mountaineering techniques and takes his students to the field for glacier or rock exercises. Gaston Rebuffat makes demonstrations of particularly dangerous climbs. At altitude, people move in solitude, cold and silence, like circus acrobats without spectators, but nothing stops the modern mountaineer.

With the proliferation of private climbing gyms and the sport's inclusion in the Olympic Games, climbing, long a counter-cultural movement, is undergoing a profound transformation and facing a major paradox. On the one hand, private gyms are enjoying increasing popularity, while on the other, natural climbing sites are under serious threat. What vertical legacy will we leave to future generations? Is outdoor climbing destined to disappear? What will the future hold for climbing? Led by Cédric Lachat, a multi-award-winning Swiss climber, the film provides an international overview of this counter-culture, which has recently become a social phenomenon.

The history of the Chamonix Guides Company is inseparable from that of mountaineering and the valley where it was born. For 200 years, guides have risen to multiple challenges, making their organization a legend. Today, they are the actors of a changing mountain: overcrowding, global warming, loss of freedom—the causes are multiple. This film is at a crossroads. Between tradition and modernity, it traces the history of the Chamonix Guides Company, evoking the incredible challenges it has met with dignity and those it now faces.

"Perilous Assignment" is an episode of ABC's Walt Disney Presents. Disney loved to show viewers behind the scenes of the daring shoots of its theatrically released or TV shows. The theme of the episode is the making of his next film, The Third Man on the Mountain, an adaptation of James Ramsey Ullman's novel Banner in the Sky, based on the true story of the first ascent of the Matterhorn. Walt Disney will not be limited to a simple promotional making-of. He offers to meet exceptional people, including the French mountain guide Gaston Rébuffat. The latter will show climbing techniques and then reveal breathtaking images of his ascents of steep cliffs with a client for the ascent of Mont-Blanc, filmed for the occasion. In 1958, Walt Disney will therefore offer him to be deputy director on the high mountain scenes of the film "The Third Man on the Mountain".

The guide Gaston Rébuffat, shares with us his view of his job and the nature that surrounds him by showing us some beautiful climbs made with friends, noting the importance of the friendship of the rope party. Born near the Calanques, he could have been a sailor, like him linked to storms and the stars. We follow him with Edwin Mattews (USA) in their ascent of the Barre des Ecrins, then in La Meije. Accompanied by Jean Juge (Switzerland), in the Mont Blanc Massif, for a crossing of the Aiguilles de Chamonix. With his Italian friend Lino Donvito, he climbs the Torre de Vijolet in the Dolomites. Then with Massulu Suzuki (Japan) in the Mont Blanc massif (Rochefort ridges, Dent du Géant via the south face). Christian Ringeval (France) accompanies him for an ascent of Vignemale. And finally return to the Mont Blanc massif, to the Grand Capucin (Bonatti route) with Konrad Krirch.

The World of Gaston Rébuffat is a documentary on mountaineering which takes place at Gendarme Du Pic Du Roc and Grande Candelle. Directed by Gilles Chappaz in 2009 and produced by Seven Doc, we find Christophe Profit, Françoise Rébuffat, Thierry Renault, Jean-Olivier Majastre, René Vernadet, Sam Beaugey and many others. Friendship of his rope companions, friendship of the mountain, friendship of all of nature, he spoke of the mountain with simplicity and happiness. A precursor, a visionary, Gaston Rébuffat was a resolutely committed person, without ever having spoken of an exploit, let alone a fight (among other achievements, he was the first to climb the six north faces of the Alps in a lifetime as a mountaineer).

"Flammes de Pierre" is the first documentary made by Gaston Rébuffat himself in 1947. It depicts Rébuffat in full ascent of the Flammes De Pierre, wild ridges in the heart of the Mont Blanc massif overlooking Chamonix. Like Roger Frison-Roche, Walter Bonatti, René Desmaison or Giusto Gervasutti, Gaston Rébuffat has written and filmed the great pages of contemporary mountaineering but above all, he knew how to talk about it with enough poetry so that it is not simply airtight race stories for spectators. Stories that have been triggers for many readers, who have come to know “stone flames” thanks to him.

Gaston Rébuffat is part of the history of mountaineering. Marseillais prodigy, high mountain guide of the Chamonix guide company and famous for the ascent of the most famous north faces: some are 1st rehearsals, others 1st French or 1st as a guide. Filmed by Georges Tairraz, this masterpiece released in 1955 reveals the beauty of effort and the pleasure of sharing in the mountains. Apart from the feat, the mountains are not there to satisfy egocentric ambitions. A classic !

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

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July 1956: like every summer, the actor and cellist Maurice Baquet temporarily deserts the stage and the cinema studios to go to Chamonix where the mountaineer Gaston Rebuffat is waiting for him. A few days later, the two men achieved a historic first, that of the south face of the Aiguille du Midi (3,842 m), a magnificent wall rising like a rampart above the Vallée Blanche. July 1988: to pay tribute to the memory of his friend Gaston, now deceased, Maurice Baquet once again climbed this wall suspended between heaven and earth with the man who, 50 years his junior, is considered one of his best contemporary mountaineers: Christophe Profit.