Audrey Grace Marshall

Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child.

Standing on the precipice of adulthood, a group of friends navigate new relationships, while reexamining others, during their final summer before college.

Callie and Minnie’s relationship is suddenly upended at the start of the summer before their senior year of high school. Left rudderless without her charismatic best friend, Minnie starts to form a complicated friendship with Callie’s mother.

Two rival toy shop owners reluctantly join forces when an unscrupulous toy magnate opens a box store in their town.

A female serial killer who killed four young girls is sent away to prison, but a fifth victim escaped with her life. Twenty years later, the killer escapes and begins hunting for the one who got away.

After a controversial teen idol dies, two 16 year old girls hold a memorial for him through his 1-900 call line.

When a foster family of 5 break down in the middle of nowhere and the only place to stay is an old hotel. No service, power and no way out. The paranormal come out and play.

A Place Only We Know (formerly titled The Tributaries): Amid the quiet chaos of college life and the growing weight of her mother’s fading health, Robbie keeps her head down and her heart guarded until she meets Drew—magnetic, effortlessly charming, and hiding more than he lets on. What begins as a chance encounter slowly unravels into something deeper, pulling them both toward a reckoning with the past. As walls come down and truths come to light, Robbie and Drew discover that healing begins where honesty and courage meet.

Collection of short horror films directed by women

In 1850, the Fox sisters organize a séance for a wealthy couple who want to summon the spirit of their deceased son to give them closure. When the girls' parlor tricks backfire, the audience begins to catch on.

Weird goings on in a family front room. ‘Shimmy! Hello, shoulder! Hello, shoulder!’

When Hannah notices the symptoms of a terminal and painful illness in her aloof daughter, Esme, she decides to take her on a trip to their abandoned family farm in a desperate attempt to connect before they have to say goodbye.

It can be brutal enough just growing up a girl. Then add poverty, addiction, and God to the mix. Armed with a gun and a prayer, Emma and her cat bravely go where too many girls have gone before. It's a war, and we gotta win it.