Claude Chabrol

This film noir tends to stay within very conventional plot lines, as the narration by the main protagonist, private detective Eugene Tarpon Jean-François Balmer, recites a dreary litany of how he wanted to chuck his profession until an attractive woman shows up asking him to investigate the murder of her roommate, a porno star. Soon Tarpon is up to his neck in trouble: the police, gangsters, and the victim's lover are all out to get him.

Known for what must be the cheapest and cheesiest of the indie film world, Troma films takes on Cannes with gallons of fake blood, the Tronettes, and numerous hijinks by an uncontrollable group of volunteer Troma fans, costumed, naked, and did I mention covered with blood? While any publicity is good publicity, the low budget Troma films must wonder what this will do to their reputation. And I think they're thinking, woohoo!

Mike (Jean-Paul Belmondo) is a stuntman who works with his girlfriend Jane (Raquel Welch). On their wedding day Mike and Jane are forced by producers to do a stunt for a film they are working on. Mike, annoyed doesn't look on the road and crashes the car causing them to end up in a hospital. After they come out Jane doesn't want to talk to Mike so he decides to get her a job in a film in which he is a stunt double for his double who is a star in action pictures but is in fact a wimp.

When he inherits the family house and property after his mother's death, aspiring novelist Fane returns home with his bimbo girlfriend Lilas. He must care for his idiot brother Mo and contend with a greedy garage owner who covets Fane's property to expand his business. When efforts to buy the property are fruitless, the mechanic incites the townsfolk against the strange trio.

At a media-swamped party to celebrate his seventieth birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.

A glimpse at the life of French singer Serge Gainsbourg, from growing up in 1940s Nazi-occupied Paris through his successful song-writing years in the 1960s to his death in 1991 at the age of 62.

Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.

Claire de La Tour Picquet shares her life between her husband, the successful novelist William Brandeis, and her lover, Jacques Lalouet, William's publisher. Then she discovers that her lover has a mistress, Charlie, who is also that of her husband...

In a cabin of the deep of the forest, a child and his father lead a wild and hard life in utmost isolation. The child grows up fearing and admiring his father, with the ghosts haunting the forest as his only companions. Until the day he discovers the neighbouring village and meets a young girl there, Manon. At her side, he discovers that love exists. From then on he won't cease to search for the place where his father's love for him is hiding.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

The kidnapping of a plump billionaire's dog by a deaf-mute and 2 ketamine addicts goes wrong. The wealthy woman takes advantage of the situation to make them fullfil her last wishes.

A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

A tale of sexual encounters of one woman and several friends, family members and acquaintances, as seen (and told) from the perspective of a pair of satin blue panties.

Comedy about a self-made woman in Paris contemplating the idea of suicide at first, then murder.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

A crime story set in Paris about a Bonnie-and-Clyde couple -- how they got together and how they are pursued for a murder they never committed.

Michel Martenot (Louis Velle) works in a bank consumption, is recommended and intended for children. His professional skills were appreciated by his boss and promoted Michel. He becomes deputy director of an agency in central Paris. Unfortunately, not having a driving license means that you will have to track a lot of time commuting to public transport. To start the business on his family and professional life.

On a work assignment in Germany, failed journalist Albin crosses paths with Andreas, a successful writer, and his wife Hélène, who quickly becomes the apple of Albin’s eye. While Andreas is off on a business trip, Albin tries to seduce Hélèn and, eventually, take over Andreas’ life.

An old con-man fakes an illness and takes advantage of the kindness of one of his nurses.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

A group of university students in Paris dream of a night of love with Suzon, whose rates are staggering. To raise the money, they organize a lottery among themselves so that at least the winner will enact their fantasy.

From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.

Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger entrusts her with false jewels that contain a virus powerful enough to destroy all humankind.

A cuckolded husband is oblivious to his fed-up wife and her lover in this farcical menage à trois.

A short documentary about Georges Franju.

She and Claude Chabrol formed one of the most prolific couples in the history of cinema. Through their relationship, and through film clips, reports and broadcasts, a portrait, imbued with humor and elegance, of the actress Stéphane Audran emerges.

Documentary exploring the formidable life and career of Italian film star Sophia Loren. With interviews with the actress herself, as well as thoughts from colleagues and admirers, including Woody Allen.

Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Murder mystery involving a man and his relationship with twin sisters.

The artistic career of American actress Mia Farrow has been that of a passionate and committed woman who became the embodiment of a special kind of femininity, halfway between innocence and madness.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Some time after marrying a sensual girl, Pozdnychev realizes the only link to his spouse is that of physical love. When a violinist with whom his wife plays regularly the “Sonata to Kreutzer” appears, the young woman blooms in a new passion. From then on, her husband is eaten away by jealousy.

An innocent woman falls prey to her abusive husband, his wealthy father and a shady family friend.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams.

In Paris, the young photographer Ferdinand falls in love with Claire, a pickpocket. Shortly after, he is assaulted because he took pictures of the young woman with another man, Brady, his sponsor. The policeman Lorenzi is put on the case, but in love, Ferdinand does not want to denounce her. However, a stolen object that she offered him will allow his indictment: Claire will spend a year in prison. When she is released, Ferdinand marries her. Kerman, Ferdinand's new boss, employs Claire in his cabaret. She puts on a famous act during which she picks the pockets of the spectators, then gives the objects back at the end of the show. But Brady reappears, demanding 80% of the young woman's earnings, otherwise he will denounce Claire's bigamy, to whom he is still married! Ferdinand prepares to flee with his wife. When he finds her, he comes across the corpse of Brady, whom Claire has just killed.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean. Claire meets her lover, Claude, at his apartment, where he gifts her a fur coat. Now Claire needs to figure out how to return home with this expensive gift without the affair being found out.

The widow of a murdered undercover NATO officer in Greece is the prime suspect in his killing. She finds herself embroiled in a bigger conspiracy about the sabotage of U.S. radar installations while trying to prove her innocence.

The boyfriend of Isabelle has just committed suicide. Therefore Isabelle roams the streets of Paris until she decides to change her life radically and leave the city. She travels to the coast where she meets a young history professor on the beach...

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Written and directed by Hitchcock historian Noël Simsolo, this 2004 French television documentary explores the earliest years of Alfred Hitchcock's film career, beginning with his success in the production of The Lodger (1926) and following the filmmaker through his transition to sound films and his early thrillers.

Victor and Suzanne are a couple at odds about commitment. Suzanne needs more reassurance from Victor about the future of their relationship. He is a painter with an inspired creative side who finds it difficult to understand Suzanne's point of view. They are happy together; what is the problem? So when a friend comes into the picture and proposes to Suzanne, Victor suddenly realizes that Suzanne was right. Without a formal commitment, the suddenly insecure man does not like the view from the opposite shore.

Francois Marboni is a butcher who is being blackmailed for having an affair with the prostitute Rachel in this black comedy. He decides to hire a hit man when the blackmailer demands that he start cutting his profit margin to the bone. Francois soon becomes a target of the hitman he hired.

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

The Tiger is sent to oversee the excavation of a sunken ship. While busy to retrieve the gold tresure in it, he is constantly thwarted by international enemies. Among them is an old Nazi named Hans von Wunchendorf who dreams of world domination. He hides behind the codename "The Orchid" and needs the treasure to sustain a worldwide network of exiled former comrades. Once sanified by the gold his organisation plans to realise the endsieg after all.

Made for "Cinéma, de notre temps" series. In a peaceful residence near the Loire River, Chabrol raised his favorite characters : monsters. In this documentary, we can see him actively working on the adaptation of Simenon's novel "Betty", and answering the questions posed by Jean Douchet (his former colleagues at the magazine "Cahiers du Cinéma"). Excerpts from The Butcher (Le Boucher), Violette Nozière, The Hatter's Ghost (Les Fantômes du chapelier) and Masks (Masques) will punctuate their meaningful and witty conversation.

A Hollywood studio is producing another spectacular when the top billed male stars suddenly show up as corpses, killed before the critics could ever put pen to paper. Under suspicion is a talent agent. Is he guilty or not? These macabre events have everyone off their feed, from the producers down to the lowest gofer.

With her parents away, Anne-Marie drops her studies to spend eight days in Saint-Tropez with her friend Jean-Paul. They are soon caught up in the Saint-Tropez whirlwind. Jean-Paul is seduced by a wealthy woman while Anne-Marie ends up alone with a young man she meets along the way.

You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.

Illustrated by numerous archives and unpublished testimonies in France, this documentary traces the progress of the aborted edition of the Cannes Festival in 1968.

A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.

Serge Toubiana spent a year in the company of Isabelle Huppert. Where she went, he followed. Huppert is an around-the-clock actress so she doesn't need the cinema to exist – she embodies the cinema. When she's not performing, she doesn't exist. From film to film, on stage as on screen, Huppert invites us to survey those inner landscapes of hers that we don't yet know.

In this program, directed by Jean Pierre Devillers, actor Isabelle Huppert and director Claude Chabrol reflect on their special bond as collaborators and friends. It aired on French television on December 23, 1998.

Part one of a BBC documentary about Jean Renoir.

Documentary about the making of Alfred Hitchcock's 1946 film "Notorious."

Legendary French film director and Nouvelle Vague co-founder Claude Chabrol takes us back to the mid-fifties, when he and then-fellow film critic François Truffaut met and interviewed Alfred Hitchcock under hilarious circumstances. Chabrol then describes how he went on to write, with Eric Rohmer, the first book on Hitchcock, and even served as a consultant when Hitch came to Paris to direct his film TOPAZ. Several key scenes from Hitchcock movies, with a special emphasis on UNDER CAPRICORN, are discussed and dissected.

Elisa and Eric are two teenage war orphans. They change their apartment on the outskirts of the city into a photo-studio to make a living, and they are very devoted to it. The two seem to live like heavenly beings without connecting to the outside world. Their only contact with the exterior is through Jacques, a loyal friend, but he also cuts himself out of any social life. The sister and the brother then take to get in touch with the world by Mrs Jean, a friend of their deceased mother with whom Elisa takes courses of singing. They live in harmony until a young man, whom Elisa falls for, eventually leaves with Eric for the USA and left her brokenhearted alone in France.

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.

For the first time, filmed by psychoanalyst Gérard Miller, famous and ordinary patients speak in a documentary about their “first session” of analysis—the one that sets the course for a personal journey that may last for years. Among them are Jacques Weber, Charles Berling, Marc-Olivier Fogiel, Marie Darrieussecq, and Carla Bruni-Sarkozy—who is the only wife of a sitting head of state to speak candidly about why and how she has been in analysis for the past eight years. But why did all these “analysands” go to see a psychoanalyst? What happened during their first session? Why did they continue? And why did some, like Karl Lagerfeld or Claude Chabrol, become critics of Freudian theory? The inside of the consulting room, where everyone dreams of being a fly on the wall and hearing what is said, but also… everything that goes on around, before, and after.

Documentary about the making of French director Claude Chabrol's first film Le Beau Serge in 1958.

Documentary about the making of Maurice Pialat's 1969 film "L'Enfance nue" (Naked Childhood).

1951. André Bazin and Jacques Doniol-Valcroze founded "Cahiers du cinéma". With contributions from self-taught filmmakers (Jean-Luc Godard, François Truffaut, Claude Chabrol, Éric Rohmer, Jacques Rivette...), the magazine revolutionized film criticism and gave birth to the leading figures of the Nouvelle Vague.

A fascinating glimpse into Truffaut’s creative process and how his life informed his art, told from the perspectives of those who knew him best.

Spring 2004, a house with a large garden welcomes filmmaker Claude Chabrol. He is about to celebrate his 54 films and 74 years of age. Thomas Chabrol, the filmmaker's son, as the perfect butler, is checking the table. "Figu", Claude's film sutler, plunges a lobster into the cauldron... The great merry-go-round can begin!

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A playwright has to murder if he does not want to be murdered.

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The French Secret Services are out to recover some secret documents stolen from a Russian cultural attaché, while he struggles to prove his innocence. That is, if he is innocent.

After trying a job as a stripper in a Barcelona carnival, Eva (Aure Attika) is ready for something new, so she heads over to France and becomes the roommate of a gay American artist (Phillip Bartlett) and works as the housewife for two wealthy older homosexuals (Claude Chabrol and Jean-François Balmer. After she gets settled, she takes a job at a government office for a while but then decides to have a child, which her obliging roommate makes with her the old fashioned way. He then returns to his usual preference, while Eva explores becoming an artist herself. From time to time in this easygoing comedy, Eva's similarly independent and quirky mother (Bernadette Lafont) shows up.

A failed actress sinks into neurosis and mythomania. To give relief to her dismal existence, she engages in all kinds of activities ranging from false testimony to occasional prostitution.

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A young man being schizophrenic remission is seen taken by an obsession for bikes. He remembers a childhood where they exit traumatized by his inability to pedal. Nevertheless, he tries again to ride a bike and fall. It ends at the hospital. Two amazing fellows will then take over and help him.

Nine comedians meet at the Acteurs Anonymes, a rehab center for acting, lost in the heart of Aveyron.

Eckhart Schmidt interviews Claude Chabrol.

Episodes in the lives of two country girls at school in Paris and their opinions.