Masayuki Yui

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

A feudal epic presenting the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. The impostor becomes comfortable living his life among nobility, but his responsibilities to his station grow more demanding the longer he occupies it.

Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.

In postwar Tokyo, beloved writer-professor Hyakken Uchida retires and is buoyed through hardship by the fierce devotion of his former students, who honor him each year with a raucous “Not yet!” birthday toast. Told in warm, gently comic vignettes, Kurosawa’s farewell celebrates aging, friendship, and the sustaining ritual of teacher and pupils refusing to say goodbye.

Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

The story follows the teacher and students of the Ryubetsu Handicapped High School.

A talented but troubled Edo Period swordsman, Kanemi Sanzaemon. Three years earlier, Kanemi killed a woman, Renko, the corrupt mistress of the powerful daimyo Tabu Ukyou. Unexpectedly, Kanemi received a lenient sentence for his crime and is allowed to return to his clan after only one year of imprisonment. Following his return, Kanemi is faced with the death of his wife, Mutsue. Thereafter, Kanemi lives with and cares for his wife's niece, Satoo, who has secret affections for Kanemi and expresses them by helping change his bleak outlook on life. Meanwhile, Kanemi's develops his unique "bird-catching" sword technique which he will soon put to test in battle for the first time against the fearsome swordsman, Hayatonosho Obiya.

In the aftermath of the 2011 Tōhoku earthquake and tsunami, a journalist arrives in Nagaoka, a city decimated during a WWII air raid and by the 2004 Chūetsu earthquakes, to report on the disaster; there, she learns about the experiences of its inhabitants and stumbles upon a stage play written by an enigmatic student of her ex-boyfriend.

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on “Ran” (1985).

Cicada is the story of Jumpei-- a man who loses sight of his progeny when he finds out he is infertile, but then is given the gift of clairvoyance and begins to see glimpses of the future. These glimpses lead him to a series of cicada shells, which become symbolic of his desire to shed his old self. Though his lineage ends with himself, Jumpei starts anew as a father-figure to his sister's young son.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Drunken Angel" (1948).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).

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Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Red Beard" (1965).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "I Live in Fear" (1955).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanshiro Sugata" (1943).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Men Who Tread on the Tiger's Tail" (1945).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "One Wonderful Sunday" (1947).

Tamotsu is expecting a persimmon to dry and yet he cannot accept that it is time for a man on his deathbed to die. As the persimmon mysteriously, or supernaturally, holds out from drying, so Tamotsu tries his hardest to keep the man alive. Only when Tamotsu has let go can the persimmon take its natural course.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Most Beautiful" (1944).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanshiro Sugata, Part Two" (1945).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "No Regrets for Our Youth" (1946).

Fukuo Hosaka, Hiromi Koitabashi, and Kazuhiko Kuwahara are students at a public high school in Takasaki City, Gunma Prefecture. Even by the fall of their senior year, they hadn’t decided on their future paths and were simply drifting through each day. However, after meeting a middle-aged man named Sōjirō Inoko, the three began to gradually change the way they lived. Sōjirō was a forty-year-old who lived for his dreams; he enjoyed playing soccer without a ball and eventually set off alone on a journey to Central and South America. Inspired by Sōjirō’s free-spirited life, the three headed for the city, but the gap between their ideals and reality proved to be vast. Amidst this, Hiromi resolved to make a living as a stripper, leaving Fukuo and Kazuhiko in shock. They also discovered that Sōjirō, who was supposed to be in Central and South America, was actually right there in Takasaki City…