Acting
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24 movies sorted by popularity
Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.
An independent group of researchers called the Godzilla Prediction Network (GPN) actively track Godzilla as he makes landfall in Nemuro. Matters are further complicated when a giant meteor is discovered in the Ibaragi Prefecture. The mysterious rock begins to levitate as it's true intentions for the world and Godzilla are revealed.
Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.
Shima (Riki Takeuchi), the right-hand man of his yakuza boss and renowned hitman, suffers from kidney disease. Interned in the hospital, he meets Junko, a nurse. When Shima is shot, she goes home and heals him. Gradually a relationship is formed between them and Junko gets pregnant. But Shima cannot escape the obligations of his clan and the disgust of Junko...
When radicals from Japan's Red Army took a woman hostage in the resort town of Karuizawa, Nagano in 1972, Officer Atsuyuki Sassa was put in charge of diffusing the situation. But the task had its challenges. Upon arriving in mountainous Nagano, Sassa had to compete with freezing winter temperatures, conflicting opinions between the Tokyo Metropolitan Police and the Nagano Prefectural Police, as well as public opinion to gain entrance to the lodge that held the single woman captive.
A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.
The director of a large Tokyo trading company is kidnapped and held for ransom. A young but experienced detective is put on the case while being at the centre of a nationwide television sensation.
Blurring fiction and reality, Victor Boccard maps an artist’s obsession across decades of paintings revisiting one subject: the woman he buried long ago at the foot of a statue, in this ethereal meditation on grief, memory, and bonds that transcend time.
A young woman tries to reconcile with her mother, who left their family for another man.
A criminal syndicate wants detective Onihei dead, but the resolute hero proves to be hard to kill.
#31 in the King of Minami series. A washed-up yakuza named Fukunaga borrows money from Manda, unwittingly involving him in a sinister murder plot.
Yakuza Zombie opens with an introduction to a mysterious Yakuza graveyard deep in the forest, and a story of the baddest Yakuza of them all, Naruo Ryuuji (shown in cut scenes played by Ozawa Hitoshi). Naruo Ryuuji was a fearless killer who eventually got into heroin and, exactly like Ishimatsu Rikuo in Takashi Miike's Graveyard of Honor, eventually leaps to his death from the top of a prison, claiming he'll be back. I'm assuming this is a reference to real life crazy Yakuza Ishikawa Rikio, whom the original Graveyard of Honor was based on. It's established that the corpse of the fierce Yakuza Ryuuji is buried in the graveyard beneath a marker with the Japanese characters "Jingi" (Honor), and then we are taken to the modern day.
Cicada is the story of Jumpei-- a man who loses sight of his progeny when he finds out he is infertile, but then is given the gift of clairvoyance and begins to see glimpses of the future. These glimpses lead him to a series of cicada shells, which become symbolic of his desire to shed his old self. Though his lineage ends with himself, Jumpei starts anew as a father-figure to his sister's young son.
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The fifth installment of the Gokudo Action Series, which depicts the process of the yakuza organization walking on the path to national domination, centered on the confrontation between the two gangsters who became their nemesis. This work is set in a certain area of Hiroshima, which is shaken by the construction problem of an industrial waste treatment plant.
Former yakuza gang boss Noboru Ando reminisces about old partner in crime Kei Hanagata.
Detective Masaki (Koji) happens upon a chilling scene: Gedobo (Hitoshi Ozawa) leading the vile yakuza Tamura to his death. Shocked but trusting his instincts as an investigator, Masaki begins to pursue the “mysterious monk.” Together with his partner Nagasawa, Masaki defies orders from above, chasing after shadows. But with no evidence to be found, those connected to Nagasawa’s case begin to turn up dead one by one. And always, lurking close to evil—Gedobo. The second chapter of Shinji Hiramatsu’s dark, new-wave crime entertainment!
The Takagaki-gumi, having grown in size, changed its name to the Kyōō-kai, with Morita Kōkichi appointed as its first chairman. Amidst this, a succession dispute erupted within the Takamasa-kai. Kumauchi, dissatisfied with the chosen successor, found himself in opposition to the Takamasa-kai. Sensing his feelings, his sworn brother Morita resolved to confront the Takamasa-kai.
A wandering monk who strays far from the Buddha’s teachings—that is Gedobo (Hitoshi Ozawa). His eyes see only the fate of evil festering in this world. Masuba (Yoshiyuki Yamaguchi), working tirelessly as an underboss, grows weary of a world where even his boss has abandoned honor for money. Dissatisfied with life in a clan without jingi (duty and humanity), he drifts further into frustration. One day, Masuba encounters a monk begging on the roadside. The monk warns him: “Be careful. Darkness is trying to swallow you whole.” At that moment, Masuba’s destiny begins to shift…
Born the son of a yakuza boss, Yūmi Izuhara grew up amidst constant brawls. Though he aspired to become a respectable gangster, his impetuous nature proved his undoing, leading him to commit murder detrimental to his group. Consumed by guilt and beginning to lose his way, Yūmi encountered Morita Kōkichi, a chivalrous man who lived by honour.
Tamotsu is expecting a persimmon to dry and yet he cannot accept that it is time for a man on his deathbed to die. As the persimmon mysteriously, or supernaturally, holds out from drying, so Tamotsu tries his hardest to keep the man alive. Only when Tamotsu has let go can the persimmon take its natural course.
