Fuad Alkhar

Boy returns to his homeland for a vacation from school in America. Already much has changed, including Vera who is busy with his career as a model photo. Boy feels set aside. To entertain his best friend, Abud, who together with Ina, Boy's sister, opened a boutique in Bali, invited the young man to vacation on the Island of the Gods. There, Boy acquainted with Cindy and immediately familiar. Unfortunately, Vera also did a photo shoot in Bali and caught Boy when alone with Cindy. Boy is confused, but Vera and Cindy decide that they will continue their careers.

David, a young executive, his wife Selva, and their daughter Binta feel fine, even though many strange things happen in their house, such as ghosts, pocong, kuntilanak, and other terrifying events. David always manages to convince Selva that all the horror stories that his maids fear are exaggerated illusions. In fact, the ghosts are real, so the maids don't feel at home working in his house. Later, it is discovered that the ghosts that often disturb David's family are the spirits of David's ex-girlfriends who died from suicide or accidents. They appear with the same appearance as when they met their deaths.

Dono (Wahyu Sardono), Kasino (Kasino Hadiwibowo) and Indro (Indrojoyo Kusumo) get lost and end up on an island where the only occupants are beautiful young women, except for the tribal chief (Tile) and his three obese daughters. Dono and friends are forced to flee the island when the chief decides they have to marry his daughters. Back at home, Dono meets up with Merry (Fortunella). As usual, Dono and Kasino, along with Indro and Merry, Winny (Kiki Fatmala) and Nia (Sally Marcelina) end up on the beach surrounded by lovely young women in bikinis. The relationships of these three pairs are extremely volatile. Suddenly, as man dressed in Arab garb, accompanied by bodyguards, shows up claiming that Merry has been designated as his wife in an arranged marriage. Kasino defeats the bodyguards, who end up in the hospital. The comedic scenes then shift to the hospital and eventually back to the trio’s home again before the film’s end.

Kadir and Doyok come to Jakarta looking for jobs. They run up against massive challenges due to their own lack of abilities. After they fail a magicians. They try becoming salesmen, then house painters, and then parking attendants. Finally, Rosa (Baby Zelvia), Kadir’s cousin, tries to help them, but, as usual, the whole thing comes to naught.

Hara (Robert Syarief) does not approve of the relationships of his daughters, Rosa (Lia Waroka) and Ira (Kiki Fatmala), with Kadir (Kadir) and Doyok (Doyok Sudarmadji). However, eventually, because the persistent young men appear to be serious, Harja eventually agrees to allow Kadir and Doyok to prove that they are financially independent enough to make it on their own. The two young men then scramble to try to find a way to make some money. First, they try working in a bakery, then they gets jobs as cooks, and then at a poultry farm, etc. They fail at everything they try. A sub storyline tells about Abud (Fuad Alkhar) who is extremely eager to get married.

This film tells the story of a villa owned by a businessman that is used as a commercial place by the occupant. When the owner suddenly comes home, chaos occurs.

Kadir and Doyok never have any luck. They always get fired from any job they take. Most recently, Kadir and Doyok had been working at a company owned by the father of Lola (Diah Permatasari), but were going to be fired by the new owner, Abud (Fuad Alkhar), who had taken over the company. Kadir-Doyok then asked Lola why her father had sold the company to Abud, and it turns out that Abud had conned her father. Kadir and Doyok then try to expose the fraud. They succeed mostly because they happen to intercept a phone call meant for Abud.

Qia, a pesantren resident who had a bitter experience as a child, when villagers burned their houses and dragged and abused their mother. His life was further disturbed when Basri, a donor, proposed to him, because after marrying Basri he received wrongdoing. Qia was desperate to run away.

Last sequel of 'Catatan Si Boy' is about starting his business after graduating college. Boy will have to manage his live and business to succeed.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.