Kumrije Hoxha

A sleepy Montenegrin village, where most of the natives have emigrated to the US, is the setting for a bitter-sweet tale of three women fighting for autonomy. Suta resists pressure to marry her late husband’s autistic twin, Vezire and Drane must learn to coexist as their mutual husband plans to leave, and Fize tries to find a bride for her son. A stork’s arrival troubles the superstitious villagers.

After losing their livelihood in a village, a Kosovar family is forced to move to the capital in pursuit of a place in a hypercapitalist society.

Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

Bekim and Anita are getting married, but Anita is unaware that Bekim is still in love with his best friend Nol. The Marriage charts the emotional predicament of the man who has strong feelings for two persons. There is great pressure to marry and only mild support for LGBTQ rights in Kosovan society, so Zeqiri’s film, which unashamedly puts same-sex and heterosexual passion on the same plane, is a forceful step in the right direction, as well as a dynamic portrait of romance and deception in the shadow of war.

Lis, a 10-year-old boy, whose father is a missing person from the Kosovo war, lives cramped in a small apartment with his family during early 2000. Trying to forget a secret only he knows, Lis joins a French trio of clowns who are in Kosovo to entertain the children of the land. Soon enough Lis will learn that reality will catch up with everyone, and he will have to face his suppressed emotions.

Three local gangsters get an offer for a job they know nothing about. However, high paychecks and their prides make them accept the offer. On their way they encounter many problems while understanding that they are being trapped.

Little Genti wants a puppy. He expresses his wish at the family gathering, after his Roma coeval Xeni shows at the door, with his stray dog friend Aaj. This brings up a fired up discussion among the grown ups. After a quick disapproval, discussion changes its path into a clash of generations, conflict between traditional beliefs and new contemporary way of life. Ignored by grownups and despite his mother's disapproval, Genti joins Xeni and Aja on the street, continuing to find his new puppy-friend.

Daut, a survivor of a massacre where his son was killed, has been rehearsing a letter for 20 years on what he will say if Hague ever calls him to testify for the horrors he has seen that day. The burden of memories gets heavier when he gets the news that his brother died of an illness, making Daut the only last survivor to remember the event. His mind starts to fail him on important details of the testimony. He might never bring justice for his son. For his brother. For his friends. Will the dead forgive him for giving up and being handed over to oblivion?

Amid bureaucratic obstacles, with little or no hope for real political and social changes in the country, a father and son find comfort and strength in their shared optimism for the future.

A TV drama made in Yugoslavia.