Stephanie Pope

The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.

Set in Harlem in 1947, this film is the story of Grandpa Kansas and his jazz band that set out to become world famous only to be thwarted by jealousy and envy - leaving behind shattered dreams and deep regrets. Though made at NYU, this film was produced under Walt Disney / Hollywood Pictures Discretionary Fund Program, and has won the top prize in multiple film competitions by respected institutions, including The Black American Cinema Society, Black Filmmaker Hall of Fame, and the Atlanta / Image Film Festival.

The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."

When an Ivy League lawyer challenges her family’s claim to their longtime home, small-town attorney LouEster Sadie Gibbs must fight a courtroom battle that pits privilege against legacy.

Ibinabo, a Nigerian expat trying to make ends meet in NYC, is confronted with loss and betrayal while working at a seafood restaurant to support her family back home.

Detective Lax, is out of his jurisdiction and under the spell of voodoo in the Florida Keys. While investigating his girls disappearance he must fight the spirits that keep him from finding her.

A group of song-and-dance performers put on an evening of vaudeville, ragtime and blues in a 1926 New Orleans club.