Svetlana Bragarnik

Two years after the fall of the alien ship, the life of a young woman from Moscow has been changed forever. Her growing powers are now at the focus of both human and celestial investigation: an alien force takes an interest in her, and will stop short of nothing, including an invasion. Can love and compassion save humanity, when faced with a much greater and more demanding test this time?

The story is about how an elderly Muscovite Lida and a young migrant worker Abu really fell in love with each other, but the society around them did not accept this love.

When you love, your life changes beyond recognition. When you are loved, you may not even suspect it. But if your life turns into a continuous nightmare, if every minute you are waiting for news of the death of another loved one - such love cannot be overlooked. It is only necessary to calculate the lover. And as soon as possible.

A high school student becomes convinced that the world is lost to evil and begins to challenge the morals and beliefs of the adults surrounding him.

The production by Kirill Serebrennikov revives all four of Alexander Pushkin's classic blank-verse dramas: "Mozart and Salieri", "The Miserly Knight", "The Stone Guest", and "Feast in Time of Plague". Without changing a single word of the original text, Serebrennikov seamlessly blends classic literature with the stark realities of the 21st century. The director explores human nature through a modern lens, reflecting on envy, greed, egocentrism, and the profound fear of aging and oblivion. In this reimagining, the Miserly Knight becomes an archivist of a vast library, his son turns into a motorcycle racer, and the grim "Feast in Time of Plague" takes place inside a modern nursing home. Serving as the central musical and thematic thread, famous Russian rapper Husky performs his own songs between the acts, acting as a contemporary Prophet and bridge between eras.

Lida, a kind and sympathetic person, raised her younger brother and is raising her daughter alone, although she has friendly relations with her daughter’s father. Having a higher education, Lida works as a typist. With the arrival of a new boss, her life changes.

An angelic-looking but selfish and ruthless young man wanders from crime to crime without the slightest remorse. In the Russian film "Satan," the devil is a delicately handsome young man whose murderous opportunism is too easy to understand. While the film registers shock at its protagonist's absolute amorality, it also presents him as part of a bitterly divided and pessimistic culture. The world of "Satan" is one in which nothing really works, and therefore anything goes.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

When a night patrol spots a man fleeing and throwing a bag into the water, little do they know it is the first clue in a murder investigation. Around the same time, a woman is found dead in the city park, and divers soon recover the discarded bag containing a large sum of money belonging to the victim. Suspicion falls on one of her acquaintances, who admits to having argued with her—but insists he is innocent. Despite his motive and connection to the victim, he has a solid alibi, leaving investigators with a mystery to unravel.

The play is dedicated to the unsuccessful marriage of Arthur Miller and Marilyn Monroe.

The plot of the play 'The Last Ones' at the Gogol Theatre centers around the Kolomiytsev family. Their home resembles the ruins left after a bombing, and the characters themselves appear as the last survivors of a worldwide catastrophe. The appearance of their house symbolizes the destruction of age-old foundations and family traditions. Despite the fact that some of the characters make timid attempts at reconciliation and family reunification, singing songs around the campfire in unison, it is clear to the audience that the rift is inevitable and unavoidable.

Young and enthusiastic Alexander Aduev comes to St. Petersburg from the province, ready to conquer the whole world. Very soon all his ideals were crushed, and he himself repeated the fate of his practical and impassive uncle Peter.