Dmitri Frolov

A satire on Soviet propaganda based on Mayakovsky's poems.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

This Petersburg you will not see on the covers of glossy magazines and advertising brochures. This city is ghosted and brutal, and it is inhabited by very different, often very gloomy people.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

Romantic fantasy based on "two songs" Marina Tsvetaeva riddled melancholy fleeting meetings and partings long -. A favorite theme times late Silver Age, which came at the beginning of the Great War.

On February 19, 2022, a screening of Dmitry Frolov's films with the participation of the director and curator of the Film Laboratory Tikhon Pendyurin took place within the Film Laboratory of the Radio House of St. Petersburg. Dmitry Frolov's lens is aimed deep into time at the deceptive shadows of the Silver Age and surreal images of the pre-revolutionary years. The director transfers to the Soviet film the ideas and dreams of the poets of that era: expressionists, symbolists, mystics and futurists. Frolov's experimental and absurdist cinematography embodies the attitudes of early cinema: to combine theater, literature, music and painting. In his films, the resurrected and hypertrophied Art Nouveau, as if in a camera obscura, reflects the key moments of the collapse of the Soviet Union.

An experimental sitcom, shot in the style of silent films of the early twentieth century. A parody of military-patriotic films. The plot of the film is the battle of the Russian army with Napoleon in 1812.

Experimental documentary film-observation. The hero of the film - russian director experimental cinema Dmitri Frolov

Three friends meet in a central cheerful pastime. After strolling along the boulevards, they are in nature. The dark side of the forest reveals the subconscious of each. And none of them are unaware of the existence of the world of the forces that awaken in man hidden until the time of the dark side of their personalities. The metaphor of the film is laid bare hidden from direct view the laws of nature to be reckoned with, are unaware of their presence, man.

The saga of Pushkin and the Decembrists, based on a letter by Matvey Muravyov-Apostol, found in Yalutorovsk during the Soviet era.

The first Surrealist film perestroika years.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

Reconstruction of silent films: a parody of the salon drama of the early twentieth century.