Anne Wiazemsky

The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

Two people, a Frenchman and a Jewish German woman, meet on a train while escaping the German army entering France.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Lamiel is a poor orphan girl who climbs to the social elite in this 19th-century costume drama. Sansfin, provincial doctor, lives vicariously through her, as he oversees the progress of his female protégé. Defiant and rebellious, Lamiel goes to Paris to escape boredom and to know love.

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.

Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

On an island in the middle of the ocean, inhabited by men and women-frogs, Nora, a beautiful Russian spy, wants revenge for the betrayal of her lover, the artist Tibor.

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

An Austrian diplomat assigned to Paris wakes up after having a strange nightmare and finds himself emotionally distanced from his world. He feels absolutely nothing as he attends to his daily routine. He gradually begins to behave in an increasingly strange manner. The story is based on Moment of True Feeling, a novel by Peter Handke.

Anna is a coach and a stripper at night.

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

A young Swiss couple, Vincent and Françoise, plan to leave Geneva and settle in Africa: a friend of theirs living in Algeria promises to give them a job there.

During a Post-Apocalyptic period in the near future the majority of the European population has been wiped out by some sort of undefined plague. Cino and Dora, a young couple, are rounded up by what constitutes the authorities on an isolated temporary base. They are examined and given antibiotics which will protect them for six months, told to pick out a deserted house to live in the area, and use that time to conceive a child.

Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

This somber drama chronicles the writings of Paltiel Kossover (Michel Jonasz), a Rumanian Jew who was incarcerated in a Stalinist prison. Zupanev (Erland Josephson) is a sympathetic court registrar who smuggles the documents and later presents them to the poet's son Grisha (Vincent David).

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Throughout the late 19th century and in the early part of the 20th, Russians of a wide variety of political persuasions contemplated various forms of revolution. Throughout the same period, they often had to seek asylum in other countries. This movie concerns Sergei (Roger Jendly), a revolutionary who kills a student in Russia and flees to Switzerland. Though he has the gifts and abilities to unify various revolutionary groups within Russia, once he has been forced to flee, they have no interest in him. When his presence in Switzerland threatens a trade agreement with the Tsar, he is tracked down and expelled.

The film concerns the famed 19th century French writer, proto feminist George Sand, in discussion with the new early 1970s feminist movement and a critique of the limitations of her progressivism.

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

In 1830s France, a virtuous widow falls for a self-destructive debauchee obsessed with death. Initial resistance gives way to a desperate and cynical romance.

The story of a notorious French criminal gang of the 1910s.

A documentary, originally produced in 1966 for the French TV series "Pour le plaisir," about Robert Bresson's film "Au Hasard Balthazar," featuring interviews and discussions with Bresson, Jean-Luc Godard, Louis Malle, Marguerite Duras and others.

Mag Bodard, un destin is an archive documentary filmed for television by Anne Wiazemsky in 2005.

Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.

Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.

Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.

The life of workers and their families in a construction site of a highway in 1965.

The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.

Short film, going behind-the-scenes of shooting for One Plus One (1968) in London, featuring an interview with Godard sitting beside a tree. Many crew members from this shoot were then borrowed by him, playing the press in the film's Eve Democracy sequence. Originally broadcast on the BBC programme 'Release' (30th Nov. '68).

A story of political imprisonment set in a mental hospital where the Stalin state police placed whoever their opponents were.

A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.

Two couples, Eva and Edy and Martin and Charlotte are separated by a very different social condition. The first are rich bourgeois, the second are workers.

How couples unite, interact, separate, reunite or find other partners. The links in this chain begin with Christian and Nathalie, who are coworkers and friends. Christian discovers that his lover Francoise is having an affair, and Nathalie advises him to give his feelings some time to heal, about two years. Nathalie is angry that her lover Mark does not want to see her more often, while he is jealous of the men in her past. Meanwhile, Francoise finds out that her new lover is not that interested in her anymore, and after they split, she encounters him with someone else. As romance fluctuates like the lunar tides, the myth of one true love takes a beating.

Les anges 1943, histoire d'un film is a documentary filmed for television by Anne Wiazemsky in 2004, devoted to Robert Bresson's film Angels of Sin.

A young film director is making a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined, and the film - told through five dreams - is as much the story of a film in-production, as the birth of a child.

Eager to leave for the United States, two boys steal a collector's mask. They are caught by a young woman who decides to follow them. But the police are already hot on the heels of this carefree trio as they embark on a joyful escape...

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.

Documentary about Jean-Luc Godard filming Sympathy for the Devil with The Rolling Stones.

The events of Giuliano Sartori, correspondent from Genoa for a newspaper in the capital, involved in a complicated investigation set in a psychiatric clinic. Not a simple Italian thriller but a "Russian doll", an open story with different levels of reading and interpretation, in which the distance between the madness of authenticity of feelings and the sprawling social normality that leads to 'annulment of the person and loneliness. Collaborators on the subject and the script of the film are Bernardo Bertolucci and Enzo Carra.