Radoš Bolčina

Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.

Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.

L.V. Strocki is a traveling film projectionist in the best years. He is a representative of the first generation who watched partisan films, lived to see the invasion of the television and ended up among vampires. In the coastal region town he is preparing a film projection on the town square and a television team is making a documentary about this event. During the film projection about the heroines and heroes of an occupied town, a Heroine in a seductive outfit comes to see Strocki in his projection booth.

A detective runs into his violent brother he hasn't seen in twelve years. While trying to help him, his actions trigger repercussions that will shake their lives to the core.

A world between the dreams and reality, between commonsense pragmatism and madness, between earthly gendarmes, priests, fair organizers on one hand, and children of God, to whom all our smartness is crazy, on the other.

Intolerance in front of a released prisoner triggers a wave of violence. The innocent survive.