Eliz Lao

In an attempt to win back the public's interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.

One of the Angels of Death comes to the Earth in order to take the 25-years-old Komachi. Desperately trying to escape from her unfortunate destiny, the young girl makes up a pregnancy and begs him to deceive the Underworld and take another 25 years-old Komachi, who is friend of hers. Death falls in love with two women and has to come to terms with itself, in this story that takes inspiration from a Japanese classic, here set in a misterious and seductive Hong Kong, shown over the course of decades.

Lok, a 34-year-old filmmaker from Macau, has been drifting through Hong Kong’s film industry. Although she has already directed a feature film, her life remains unstable, her next project has stalled, and her girlfriend Bei Bei is pushing for them to get married, buy a house, and settle down. Facing multiple pressures, Lok revisits different moments in her past: when she was studying in Taiwan aged 22, and when she was growing up in Macau aged 17.

Love intertwines at the wrong time. Sei and Ling, former masseuses in Macau, in retrospect, had the best time together. Decades after, Sei learns that her late best friend has kept a secret she never knew...

Wong Chi Wa’s uncle, Lee Ho Sang, was 20 years old when he disappeared one night without a trace during the Hungry Ghost Festival. Rumours about the incident have spread swiftly around the neighbourhood. Fifteen years later, without explanation about his disapearance, Lee suddenly showed up. Like a ghost tale, the story would be retold every year…

Ka, a common housewife, leaves her husband after big change in the family. Then she encounters Man, who has for years blamed her father Chow for bringing to light his relationship with his lover Tracy after the accidental death of Man’s mother. And so it seems that from departures stems relationships anew, but there are in fact little to be explained in the logic of cause-and-effect for existence, death, encounters, and love.

Nineteen-year old Ina inherits a sauna and decides to build a new future for the girls working there, but first she needs to confront her father's dangerous past.

On a weekday evening at McDonald's, a group of people gathers to read poetry. A guy tries to hit on a girl, a young woman argues with her best friend, and an onlooker watches all the drama unfold with gossipy amusement.

The Empire Hotel is a 30-year-old landmark in Macau's old quarter, inhabited by characters with their own stories and struggles. It is also Maria's home. One day, the burden of keeping lives together and the hotel standing falls on her shoulders. A young man who left Macau two decades ago returns, intent on revenge and reclaiming his mother's fortune – half the hotel. Inside the casino, Maria sings Fado and exotic dancers perform. It is against this illusory backdrop that the man lays eyes on Maria for the first time; they’re both mesmerized. The film cuts back and forth between film noir-style scenes of Macau’s past and present.

"Years of Macau" is an anthology film consisting of nine short films set in different years and locations in Macau. They include "Go Back Home", "REC-Last Days", "Sparkling Mind", "The Last Show", "Till the End of World", "The First Cigarette", "A Moment", "Dirty Laundry" and "Summer". All nine directors are from Macau, most of whom were born and raised here. The stories of each film share what the directors feel about Macau using the language of cinema to convey their love for the city.