Nam Chun-yeok

Teacher Waryong retires after 37 years of teaching. He sets out to visit his former students living in Seoul. While those who establish themselves successfully show only indifference to him, those who are poor but honest heartily welcome him. Teacher Waryong helps the less fortunate former students.

After an aggressive man lets his anger get the better of him, his wife takes her own life and he is forced to go on the run. The son he leaves behind grows up to have 4 daughters, but there is rumored to be a curse on his family. As the daughters find their way into relationships the curse seems to be true. Allegations of child murder, infidelity, forced into marriages with raging psychopaths.

Ttosun, a young hard-working woman with a good heart, falls in love with a driver but her father disapproves of the match.

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In post-Korean War Seoul, a young man from the countryside discovers that his older brother has become romantically involved in a prostitute and has no intentions of returning home.

This melodrama follows the trials and tribulations of a single mother who dares to love. Hyun Hee (Mun Jeong Suk) makes a living running a coffee house. She has to support her illegitimate daughter and mother, and bear the scorn of those who look down on her. Hyun Hee falls in love with a married writer (Kim Jin Kyu), while another customer (Choi Mu Ryong) holds a torch for her. The romantic triangles that unfold lead to tragic consequences.

Patriotic university student Youngwoo and his friends, led by their teacher Lee Sung, along with a British friend bid farewell to their families and become freedom fighters in Manchuria fighting against the Japanese occupation around the Tumen River.

Two brothers—Cheol-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.

Heo Seung, who states that he was “born from soil, will live in soil, and die in soil”, becomes a lawyer in Seoul. However when villagers in his hometown are imprisoned for protesting against Japanese oppression, he decides to return to his village and rediscovers the true way to help his country.

Jinsa Maeng's daughter is contracted to marry a nobleman's son, however, Jinsa Maeng is upset when he hears about a rumor that the fiance of his daughter is lame. Finally, he decides to take on the idea of arranging his maid to take his daughter's place in the wedding.

King Sukjong exalts a greedy concubine to the status of Bin, which is next to that of the Queen. The new Bin, who is now called Jang Hui-bin, drives out the Queen through a coup and takes her place. But thanks to loyal court officials, the King finds out what has been going on. He demotes Jang to Bin again and reinstates his Queen. Jang, now vindictive, conspires with her mother to kill the queen and reclaim her place. But the conspiracy is brought to light, and Jang is executed.

In order to gain revenge on the killers of his parents, a man joins an organized crime ring as a hit man. The brutality of his slayings in his quest for vengeance makes him a man that the police desperately want to collar. ※ Only the first 32 minutes of the film currently exist today. The plot summary has been added in the form of title cards to aid the viewing experience.

A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.

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Dr. Nam, in his will, requests that his eldest daughter, Jeong-hui(Choe Eun-hui), marry a painter named Dong-su (Nam Gung-won). Jeong-hui is at risk of losing her house due to her father's debt, and a young physician Sun-cheol (Kim Seok-hun) who received his college education with the financial support of Dr. Nam, helps her by selling his own house. Despite his love for her, Sun-cheol cannot express his feelings because he knows of the request in her father's will. When Jeong-hui looks for a job to support her family, Bang, whom Dr. Nam once cured, offers her a position of saloon madam. Meanwhile, her younger sister Myeong-hui (Choe Ji-hui) promises Dong-su her hand in marriage. Jeong-hui, now running the saloon, wishes them happiness. It is only when she gets a proposal from Bang and decides to accept it that Sun-cheol confesses his love for her. Moved by Sun-cheol's true affection for her, Bang gives her up, and Sun-cheol and Jeong-hui exchange vows of marriage.

"A Long Goodbye" - Taken in by an elderly woman and raised as her own, a boy spends all his days dreaming of the time when he can be reunited with his lost parents.

His own father had hated Crown Prince Sado. The king finally orders to kill him by locking him up in a rice-chest. After his death, his wife Hong goes with her son to her parents' house to live there. Some high officials in the court constantly try to harm Sado's son because they don't want him to become king. But Hong's wisdom saved her son, who grows up to become the 22nd king of the Joseon Dynasty (1392-1910).

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No description available.

Kind-hearted country bumpkin O-bok leads a simple life working as a long-time farmhand for the rich landlord Soon-young. When Soon-young discovers that his son Jae-seok has fallen for local girl Soon-yi, he protests the relationship and arranges for Soon-yi to be wed to O-bok instead. Despite the initial heartbreak, Soon-yi grows fond of O-bok over time and they have a daughter together named Sook-hee. However, when Jae-seok returns into Soon-yi’s life, she cannot resist his charms and runs away with him, leaving Jae-seok to raise Sook-hee on his own. Years later, Sook-hee is now a grown woman working in the city and in close contact with her father. However, a series of coincidences threaten to forcibly reunite O-bok and Sook-hee with Jae-seok and Soon-young in the most dramatic way possible.

A middle-aged man is laid off from work but is too proud to tell his family. His children, however, learn of the situation and take jobs of their own to help him save face.

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No description available.

Choi So-young (Choi Eun-hee), a poor female law student is in trouble because her grandmother, who had been sending her tuition money, passes away. With the help of her friend Hee-suk, (Kim Suk-il) who dreams of becoming a writer, So-young fools Choi Rim (Kim Seung-ho), a lawmaker, into believing she is his daughter and moves in his house.

A man assists a woman in danger, but through her actions, she unintentionally causes his death. Everyone in the village knows that she visits his tomb every spring, but no one knows the details of her story.

A young man is in love with a waitress, but his father opposes their relationship. The father approaches the waitress telling her that if she truly loved his son, she would abandon him. She submits to the father's wish, though she is dying from tuberculosis.

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No description available.

Following the death of his parents, Yeong-cheol shines shoes in the streets, struggling to care for his sick younger sister Yeong-hui and make ends meet. Despite the persuasive efforts of low-life criminal boss Wang-cho, pickpocket Jjang-gu, and prostitute Mi-hwa, Yeong-cheol vows to lead an honest life by looking after Yeong-hui with cigarette salesgirl Myeong-sun and helping newly arrived shoeshine boy Dong-seok settle in. However, a tragic accident forces Yeong-cheol to make an important decision that may change his life. ※ Sharing the same Korean title with Vittorio De Sica’s classic Shoeshine (1946), this film was noted at the time of release for its strong neorealistic approach. All of the picture elements have been lost and only 4 original sound negative reels (around 40 minutes) survive today. The plot summary and scene descriptions have been added in the form of title cards as well as a selection of production stills to aid the viewing experience.