Peter Fitz

Peter Fitz

Acting

August 8, 1931 — January 10, 2013
Kaiserslautern, Germany
50 movies

Biography

Peter Fitz (8 August 1931 - 10 January 2013) was a German stage and film actor. Fitz completed an apprenticeship at the drama school of the Deutsches Schauspielhaus in Hamburg in the 1950s. In the 1960s, engagements at the Schauspiel Frankfurt theatre followed. Director Peter Stein brought him into the ensemble of the Berlin Schaubühne theatre, where he worked under the direction of Stein as well as Klaus Michael Grüber. In the course of his career, Fitz performed at all major German-language ...

🎬 Peter Fitz's Filmography

50 movies sorted by popularity

Prater
5.8

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Prater

2007
Black Sun
7.3

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Black Sun

1998
Beim nächsten Kuß knall ich ihn nieder
8.0

Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered. In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

Beim nächsten Kuß knall ich ihn nieder

1996
Peter Fitz | MovieMind AI