Shadi Mar'i

The White City tells the story of an emotionally charged love triangle set in the hot political climate of modern Tel Aviv. A young couple take a winter break in Tel Aviv as an opportunity to exercise their creativity. But while Eva writes poetry and parties with friends, Kyle works on a film which expresses his own confused sexuality with Avi, a young ex-soldier; drawing Avi further into the couple’s complex relationship. The White City presents a new slant on the love triangle genre, with the backdrop of Tel Aviv as a cultural counterpoint to the American couple’s life. Cambridge Film Festival 2014 (http://www.cambridgefilmfestival.org.uk/films/2014/the-white-city)

Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men.

Sassi is more than 20 years older than his wife Effi and is worried about his declining powers. Surgery has left him seeking treatment for impotence, but Effi insists she’s content with their emotional closeness. In her work as a physical therapist, though, Effi sees the link between body and heart every day. The biggest challenge to their loving relationship has been the gambling debts Sassi’s adult son keeps running up. But the couple’s fragile understanding, compounded by the presence of two young men, introduces new threats. Their teenage grandson, Omri, returns from living with his father in Europe, at loose ends and clearly in need of guidance. For one thing, he can barely stand to wear a shirt. Then a young patient turns up at the swimming pool where Effi conducts therapy sessions. He comes to confront her about something from their past, something complicated, contested, and painful to them both.

After being estranged from his Druze village and family for 17 years, Yoseph returns with his two Israeli, teenage children. His marriage to a Jewish Israeli woman has just ended and he plans to settle down there. His arrival causes friction inside the closed, conservative Druze community and also with his mother Afifa, who accepts him and his children as part of her family again.

A young Arab is caught between cultures as he is sent to a prestigious Jewish boarding school in Israel in the 1980s.

A squad of terrorists infiltrate a kibbutz but find themselves trapped in the children’s nursery with hostages who are less than four years old. Told from multiple perspectives, this is the true story of that night, on April 7 1980.

Peace suddenly breaks out in the Middle East – an unpleasant turn of events for many involved, who suddenly see their futures and livelihoods threatened. In the midst of the turmoil of this unexpected situation, Austrian UN officer Werner Baumschlager finds himself enlisted by various parties to sabotage the unwanted peace. And that's not all: his two lovers and his wife learn about each other and each hatch their own plans.

Set in the cloak-and-dagger world of the IDF’s undercover special forces - the Mista'arvim - Fauda is an Israeli-produced TV drama which has garnered praise for its realistic depiction of military tactics alongside its empathetic portrayal of Palestinians, militant or otherwise. BBC Arabic joins the production of the hotly anticipated second season, and tries to understand how it might one day pave the way for a dialogue between the two sides built on mutual understanding and compassion.

Eid, a young Bedouin from Rahat, spends his nights in Skype calls with Dounia, a married Arab actress living in Paris. Dounia is both his audience and his muse for a play he is writing about his life. When his parents force him to marry a woman he doesn’t know, Eid fears he will not be able to complete his dream. Eid will try to change his fate, determine the ending of his play himself, and tell his story—even if no one is there to listen.