K Kaladharan

An old and lonely writer's life is turned around when a young woman comes into his life and one day a uninvited guest comes and makes things more complicated.

Siddharth (Sidhu) has invented the key to happiness: a machine which generates dreams of joy. But someone is out to steal his invention. He runs for his life with Maya, his girlfriend. On the road he is met by The Fool, an old tramp who shows him that it is all just a dream and that he only needs to wake up.

Young Akhil lives with his old and crippled father. The two share a difficult relationship. Akhil has decided to run away with his girlfriend Nina to another city and he is keeping this a secret from the old man. But his last day at home doesn’t turn out the way he had planned it.

One morning, Rajendra Prasad, a retired cop, disappears from home. His daughter Anu, accompanied by her boyfriend Vinod, goes out in search of him. The story rolls along through luscious Keralan landscapes when she gets a call from her father.

Ramdas, a left-leaning retired university professor is interviewed by Nilima, a young research scholar, about his political activities.

Anand Gautaman, a vlogger, gives dating and lifestyle advice. But the dark times of today force him to address Death.

Sunetra is a migrant cook from far away Bengal working in Kerala. To celebrate her birthday Adi, the young poet she loves, steals a car and takes off with her to a beach. The two lovers do not realise that the car belongs to a thug who is following them - a thug who will not hesitate to kill. SUNETRA can be seen as a metaphor for life itself, where death is always hiding behind the trees. As always, the Babusenan Brothers are exploring their philosophical concerns here through the medium of the film story.

A heart-capturing early childhood of one of the most popular saints of the last millennium – Don Bosco

Keshu is a deaf and dumb boy who lost his mother when he was born. He was raised by his maternal uncle and wife. Being mischievous, there were many complaints against Keshu by the villagers. His uncle kept punishing him, but to no avail. The only person who Keshu could find solace was his distant relative and the maid of the house, Devu. Then, Shalini, a drawing teacher transferred to that village started living with the family.

“The Looking Glass” is a reflective journey through the eyes of Kaladharan, an aging filmmaker confronting his past. As he grapples with the consequences of altering his characters’ fates, particularly Sreeram’s, the film questions the nature of art and love.

Shivaram is shattered by two deaths he witnessed as a doctor. He then starts questioning the prevalent medical practises and the wide use of pesticides. Samaksham is his quest for answers and the lengths he is willing to go to find a solution.