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Due to an antiquated clause in her grandmother’s will, an ambitious young executive may lose her place at the family company unless she can get married by Christmas.
Join schlock impresario Francis Gordon as his intrepid crew attempt to shoot an impromptu monster movie in the three days left over from the film they’ve just wrapped. From the Saul Bass opening title homage to its highly authentic, comic evocation of 1950s’ grade-Z grind house, this was lost when it was made in 1999. But ace restorer Mark Rance (who restored Tobe Hooper’s Eggshells) found it and has lovingly refurbished it under writer/director Kelly Greene’s supervision.
