Bolesław Smela

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

The last days in the life of Edward Dembowski (1822-1846), the organizer of the Kraków Uprising in 1846. The informal leader of the uprising, determined to fight for the unification of Polish lands and the liberation of the peasants, negotiates with other politicians.

A young factory worker takes up on boxing as a way to find himself and advance his chances for the future. But the difficulties of sorting himself out in the crooked boxing environment hold him back in the beginning, until he arrives for tournament in Chicago, where he can prove himself. In the end, he wins over his Yank opponent, an amateur below his ranking, and is back in the factory.

A group of Polish boys is opposed to a German teacher who aims to Germanise the young men.

In 1920s Poland, a police commissioner leads the investigation into a series of brutal murders of young boys as the case grows increasingly unsettling and personal.

A young soldier is being blackmailed by his colleague after causing a driving accident while drunk

An old man appears in Samuel's inn and seek revenge on the owner.