Yuen Lap-Cheung

He is sent by the gods to do battle with the monkey King who is up to more magical mischief than is good for him.

Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Scholar Yuen Man-lung leads a double life as Vigilante Golden Cat. Yuen is separated from his lover Tso Oi-lan by her snobbish father who promises her to Tsui Tai-fei, son of the magistrate and incriminates him as the wanted burglar. Yuen sneaks out of prison and wreaks havoc in Golden Cat's name; the exasperated magistrate has to release him. Before leaving for the imperial exams with the runaway Oi-lan, Yuen stages one final heist for his friend's sake. The officials trail Golden Cat to his house where his nocturnal costume is retrieved. His father is arrested as the criminal. Drawing a plan up her sleeves, Oi-lan's sister Oi-ling whisks the elder out of the execution ground. Despite failing at the exams presided over by corrupt examiners, Yuen saves the emperor on his homecoming journey, and returns triumphant as a duke.

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

The Ten Brothers return as the Lake Devil is plagued by a monster fish. To settle the old score, Marshal asks Shrimpy and his ten sons to exterminate the fish. Excelled on land, the ten brothers find themselves quite useless in the water.

The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.

The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.

Loosely based on Charles Perrault's Cinderella

Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

HK drama film.

Chan Siu-hung is forced to become a prostitute, with the police following hot on her heels. Ching Chi-ko comes to her defence by claiming to be her husband. Chan is put up at Ching's roof hut named the 'Seventh Heaven' and the two gradually fall in love. Soon the war breaks out. Ching is drafted to do hard labour by the Japanese army. When the war is over, the crippled Ching returns and lies to Chan that he is already a married man, hoping to persvade Chan to marry someone else. Nonetheless, Chan's devotion overwhelms Ching.