Sandy Suwardi Hassan

The "Long March" Story of the Siliwangi Division from Yogya returned to Bandung, when the Renville Agreement failed on 18 December 1948. Panglima Sudirman received the Siliwangi Division again. The long journey was a full and challenging journey, both against the Dutch, and also against the Darul Islam (DI) mob.

After hearing the mandate of Sukarno during the Second Asian-African Conference, an author named Suromo searches an art form to express the people’s hardship. Together with a failed painter named Rutaf and a film director named Kadjiman, these artists meet a man who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.

After Bayukusuma is falsely accused of committing adultery, his village is hit by a series of natural disasters. Bayukusuma is blamed and throw over a cliff. He survives and then they bury him in the sand. After awhile, he has no other option than to become the disciple of the evil Galunggung Genie. He's promptly possessed by the genie, who then goes to the village and gets revenge.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Nyoman Regeg's asceticism was one day short of what his teacher had recommended. Therefore, the teacher sent another student, Sugriwa, to find and persuade Regeg to complete his asceticism. Regeg seemed to have other intentions. He meditated and sought supernatural powers only to take revenge.

A portrait of newly married couple, Nurlela and Hasan, who have to live at the house of Nurlelas’s father. They do not have enough money to find a place of their own. Nurlela's father constantly compares Hasan negatively to his rich son-in-law Bakri (August Melasz), causes a friction between the young couple. Hasan and Nurlela fights when looking for their own way to be able to live independently. This situation makes them lie to each other, especially Hasan, who questions himself about his work and its environment. Hasan’s hard work to get off the family’s house eventually causes a misunderstanding. Nurlela almost commits suicide before the couple is able to trust each other again.

Unlike in traditional *lenong* tales, Si Pitung does not die; he is like a cowboy who resolves a problem and then moves on. Si Pitung (Dicky Zulkarnaen), a student of H. Naipin (M. Panji Anom), gains the strength to fight against the oppression inflicted upon the common people by landlords. With the help of his friend Djiih (Sandy Suwardy), he thrashes the landlords' hired thugs as well as the colonial police officers. Meanwhile, the colonial police commander (A. Hamid Arief) devises a plan to thwart Pitung. Pitung’s girlfriend, Aisyah (Paula Rumokoy), is taken to become the third wife of Demang Meester (H. Mansjur Sjah). Just as the wedding celebration is about to take place, Pitung succeeds in rescuing his beloved, declaring that he will go to wherever people are in need.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.

The film tells a story about the problems that come from playing “judi buntut” (a type of lottery gambling). People start to think and act irrationally. In the end the police comes to set things straight.

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.