Hanns Zischler

Hanns Zischler

Acting

June 18, 1947
Nuremberg, Bavaria, Germany
174 movies

Biography

Hanns Zischler (born 18 June 1947) is a German actor most famous in America for his portrayal of Hans in Steven Spielberg's film Munich. According to the Internet Movie Database, Zischler has appeared in 171 movies since 1968. Known in Sweden for his role as Josef Hillman in the second season of the Martin Beck movies, though his voice is dubbed. Description above from the Wikipedia article Hanns Zischler, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

🎬 Hanns Zischler's Filmography

174 movies sorted by popularity

The Cement Garden
6.8

After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie's new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.

The Cement Garden

1993
Leningrad. Stimmen einer belagerten Stadt
7.8

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

Leningrad. Stimmen einer belagerten Stadt

2024
Charlie & Louise - Das doppelte Lottchen
6.1

The two twelve-year-old girls Charlotte Palfy and Louise Kröger meet on a language trip to Scotland and discover that they are twins who were separated shortly after birth. Charlotte, the daughter of a music hall composer, is cool, self-confident and cheeky, dresses accordingly and listens to techno music. Louise, who grew up with her mother, an advertising executive, wears more "old-fashioned" clothes, is shy and reserved, but conscientious and orderly. Determined to play fate, the two swap roles - at the end of the journey, Louise travels as Charlie to her father, who works as a composer in Berlin-Kreuzberg, while Charlie travels as Louise to her mother in Hamburg, where she works in an advertising agency. The girls realize that getting their parents back together is not as easy as they thought.

Charlie & Louise - Das doppelte Lottchen

1994
Manhunt
6.9

Nazi hunters Serge and Beate Klarsfeld devoted twelve years of their lives to relentlessly tracking down Klaus Barbie, who had fled to Latin America under a false identity. La Traque looks back at their early exploits in Germany, through to the legal and media battles that led to the major trials in France. How was Klaus Barbie able to reinvent himself so easily and continue to wreak havoc in Bolivia with complete impunity in the 1970s? This is what this fictional account reveals, drawing its originality from the various points of view it adopts: that of the Klarsfelds, who had never before been the heroes of a fictional story, but also that of Klaus Barbie and the Bolivians, the new victims of this "exiled" barbarity. Between historical clarifications and revelations, this story forcefully reminds us that memory is not a given, but something that must be fought hard to achieve.

Manhunt

2008
I'm The Father
5.0

Marco and Melanie, a young married couple, are living a life of passion, chaos, and all the little frustrations of everyday existence. Their love for each other seems like a beacon on heavy seas. But career pressure, burned toast, and dirty laundry are eroding all tenderness, and they never seem to find enough time for their six-year-old son, Benny, either. Their world is about to fall apart when Melanie moves out, taking Benny with her. She files for divorce, and Marco makes a decision that is not only going to change his own life. He suddenly discovers his own unique way of being a father … I’m the Father is a modern portrait of a generation which appears to fail its own ambitions: After all, how do you combine a job, children, love and all the other challenges of everyday life – without giving yourself up in the process? And then what happens when positions become entrenched and a divorce seems inevitable?

I'm The Father

2002
Wim Wenders, Desperado
7.7

"Wings Of Desire" and "Buena Vista Social Club", "Paris, Texas" and "The State Of Things": Wim Wenders is considered one of the pioneers of New German Cinema and one of the most important and influential representatives of contemporary cinema. With never-before-shown archive material and extraordinary encounters with companions and contemporary witnesses such as Francis Ford Coppola, Willem Dafoe, Andie MacDowell, Hanns Zischler, Patti Smith, and Werner Herzog, this documentary provides unique insights into the life and work of one of the most multifaceted artists of our times. Renowned documentary filmmaker Eric Friedler ("It Must Schwing. The Blue Note Story") and his co-director Andreas Frege were given the exclusive opportunity to portray Wenders for this film. From DĂĽsseldorf to Paris, and all the way to the desert of Texas, the film traces iconic locations and decisive moments in Wenders' work as director, producer, photographer, and author.

Wim Wenders, Desperado

2020
Black Sun
7.3

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Black Sun

1998
Motion and Emotion: The Films of Wim Wenders
8.0

Though very polite and British, this feature-length documentary about German filmmaker Wim Wenders offers the most penetrating insights and the best overall critique of his work that I have encountered anywhere. Paul Joyce, who directed it, has also made documentaries about Nicolas Roeg, David Cronenberg, Nagisa Oshima, and Dennis Hopper, and he knows the conventional format well enough to get the most out of it. There are good clips and interesting commentaries from the interviewed subjects, who include Wenders himself, cinematographer Robby Muller, filmmaker Sam Fuller, novelist Patricia Highsmith, musician Ry Cooder, actors Harry Dean Stanton, Peter Falk, and Hanns Zischler, and critic Kraft Wetzel, who is especially provocative. A must-see for Wenders fans, highly recommended for everyone else. –Jonathan Rosenbaum, 1989

Motion and Emotion: The Films of Wim Wenders

1990
Outside the Box
5.6

Frederick Schopner, a young management consultant, has been invited to participate in a special kind of team-building event. He and his colleagues will be chased across an outdoor obstacle course while being assessed on leadership qualities and their capacity for teamwork via video surveillance. Special highlight: the company has hired two over-the-hill actors to kidnap the consultants with unloaded weapons, keep them hostage, and to demand a high ransom from the company. A realistic role play with fun factor! But things don't go according to plan: the actors find the make-believe scenario so convincing that they decide to put the plan into action for real, using real weapons. Meanwhile, Human Resources manager Vanessa is observing what's happening via video surveillance and has to find a way to keep the hostage situation from escalating…

Outside the Box

2015
Bastard
6.5

The nine-year-old Nikolas has been missing for days. The criminal psychologist Claudia Meinert notices contradictions in her conversation with the parents of the missing child. In particular Nikolas' mother appears to be hiding something. When a video of the missing Nikolas surfaces, showing him tied up in a cellar, the trail leads to his school. The 13-year-old Leon and Mathilda strike the psychologist as conspicuous and provocative. Shortly afterwards, Meinert encounters the children with Nikolas' parents at the local swimming pool and her suspicions are confirmed: the parents are entangled in an insidious father-mother-child game with the possible suspects Leon and Mathilda. Now it is up to the psychologist to resolve the dark mystery of Nikolas' disappearance and save the child.

Bastard

2011
Before Your Eyes - Vietnam
7.0

An unconventional essay film that interrogates the visual and ideological legacy of the Vietnam War. Blending staged scenes, archival footage, photographs, and philosophical dialogue, the film follows various characters — including an American soldier captured by North Vietnamese villagers — as they reflect on violence, memory, and image-making. Set partly in West Berlin and partly in reconstructed spaces representing Vietnam, the film avoids traditional dramatic narrative in favor of a fragmented montage of voices, documents, and reenactments. Interweaving love stories, political debate, and historical commentary, Farocki creates a critical reflection on how war is represented, seen, and imagined, both in cinema and in public consciousness. The result is a complex meditation on images as weapons and instruments of perception.

Before Your Eyes - Vietnam

1982
Einen Moment fĂĽrs Leben
1.0

In Dublin, Blake Lester breaks Lucy Silchester's dream by preferring an overseas TV show career move over their marriage plans since years. Receiving a mystery letter 'from her life', Lucy seeks consolation with mates Adam, Melanie, Lisa and Jamie. Angrily Lucy meets critical sender Cosmo, who urges her to set priorities among colleagues, family, friends and truth to correct her derailed life, which she finds hard to disprove by showing happiness. Lying to boss Edna costs her job. Desperate hitting rock bottom, she attempt to win successful Blake back. Her protective brother, attorney Riley, and Cosmo rather favor attractive carpet cleaner and neighborhood urchins football 'coach' Don Lockwood, who consents, yet this fails as she retracts despite good sex while he works in her apartment. Sad news about her neighbor Claire, a breakup between workaholic father Samuel and 'neglected' mother-housewife Sheila make Lucy die reconsider her own priorities.

Einen Moment fĂĽrs Leben

2017
Adieu, Mon Ami
5.0

Germany, WWII: 10-year old Dagmar has just lost her beloved twin brother Doug and her family through a bomb attack. Together with a young girl who worked in the bakery of Dagmar's parents they escape to Bavaria and find shelter at some far relatives of Dagmar's family. The little girl just doesn't feel comfortable in the strange family but soon finds a good friend: Laurent, a 17-year old French alien employee. Laurent is tormented by August, the "head of the family", but cannot defend himself because as soon as he causes a conflict he will be sent into an approved school in France which is even worse. Dagmar and Laurent become very close and become almost like brother and sister, they are all they have and Dagmar even falls a bit in love with Laurent. One day August sees how Laurent hugs Dagmar, he provokes a conflict and at the end Laurent is sent back to France...

Adieu, Mon Ami

1996
Paradiso: Seven Days with Seven Women
5.0

What would happen if you gathered all the lovers you have had in your life in a single room and let them interact for a week? For his 60th birthday, a self-absorbed composer, Adam, does just that: he assembles seven of the most influential women from his life and invites them to his seduced lakeside cabin. The guest list includes Adam's current wife Eva, along with their two children who live in Berlin; his gorgeous second wife Lulu, who is an actress; and his down-to-earth first wife-turned-nun Berenice, with whom Adam has an embittered, estranged son Billy, who shows up along with his wife. Also invited are a quartet of women with whom he had often overlapping trysts, including student Marion, sexy Jacqueline, opera singer Lucia, and of course, Lilith.

Paradiso: Seven Days with Seven Women

2000
The Horsemen of the Storm
5.6

Marie (Marlene Jobert) is a pretty female physician who attracts the strong romantic interest of two brothers during World War I in this uninspired drama by Gérard Vergez. The brothers meet her when she is on duty in Turkey -- one brother is stationed there and the other becomes her ambulance driver. Since Marie has just lost her husband in combat, she is not at first open to another relationship but finally begins an affair with the older brother. Jealousy rears its ugly head, and the younger and older brother start to compete for her favors. She is eventually separated from the two brothers after the oldest -- imprisoned for supposed sympathy with the Russians -- is sprung from jail. Marie is later imprisoned herself, and it will be a long time before she is able to find out the fate of those she knew during the days of combat, including the two brothers.

The Horsemen of the Storm

1984
Hanns Zischler | MovieMind AI