Wolly Sutinah

Wolly Sutinah

Acting

July 16, 1916 — September 14, 1987
Magelang, Kedoe, Dutch East Indies [now Magelang, Central Java, Indonesia]
35 movies

Biography

No biography available.

🎬 Wolly Sutinah's Filmography

35 movies sorted by popularity

Matahari-Matahari

Tempted by the presence of Kokom (Rima Melati) dangdut singer of a successful village in Jakarta, coaxing his uncle Sarkim (WD Mochtar) and the poverty that left three children died, Warga (Henry Wanisar) decided to move to town with his wife and children are dumb, Iyom (Marisa Haque). In Jakarta they were under the influence Sarkim who became king of beggars. His home life is threatened. Iyom accused of fooling with another man, angry residents and leave his wife. Residents Seperginya, Iyom huts on fire. So the family was scattered. Residents Sarkim be assassin plunges, luxurious living and lives with his dream, Kokom. When he realized that all this caused Sarkim, Citizens kill Sarkim and go to jail. At the door he met with Iyom prison and his son. He asked for forgiveness.

Matahari-Matahari

1985
Pelajaran Cinta
6.0

Students who come to Yogyakarta to study, also have their first taste of love and sex. Three friends, Benny, Lesmono, and Larso find this out for themselves. Benny, a ladies’ man, introduces his friends to prostitution. Lesmono is secretly in love with Indri, but she falls into the hands of Benny. Benny, who takes life very lightly, manages to smuggle Indri into his room in the lodging house. When he goes home to Jakarta, Indri is anxious because she misses her period. Lesmono helps her to find a shaman who can perform an abortion. But when she goes to see a doctor, she finds out that she is not pregnant after all. Lesmono hopes to get Indri back but his hopes vanish when Benny returns and Indri goes back to him. Attempting to represent the teenagers’ psychological state in relation to love and sex; the film only manages to be jokey and shallow.

Pelajaran Cinta

1979
Samiun dan Dasima

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Samiun dan Dasima

1970
Wolly Sutinah | MovieMind AI