Carola Regnier

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

The young Friedrich Schiller begins his life as a poet with a dramatic escape. After the sensational success of his first drama "The Robbers", he deserts from the Duke's army. At the Mannheim Court and National Theatre, he initially receives a friendly reception, but his new play "Fiesko" is not well received by the artistic director Dalberg. In the successful actor and author August Wilhelm Iffland, Schiller finds a strong competitor for the position of in-house playwright and vies with him for the love of the same woman. The young poet's situation becomes increasingly precarious; he has no money, suffers from hunger and falls seriously ill. Nevertheless, he works feverishly for recognition and success with no regard for his own health.

Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

A group of men, addicted to pornography, have a chance to live out their fantasies but find that the reality is far different from what they expect.

An experimental German film

After the essay "On Marionette theatre" by Heinrich von Kleist. The film focuses on Kleist himself, torn apart, searching for knowledge, for identity, trapped in his loneliness and self-absorption, jumping over walls, making grimaces, cruelty, suffering.

Otto and Leo are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida, a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she's pregnant with Otto's child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida's presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko.

Zigeuner is on the hunt for the woman of his dreams, a woman who should also play the main role in the film. Meanwhile, ruthless producer Oskar Reiter wants to buy the film rights at all costs - and he is struggling for the love of the beautiful Valerie.

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with another – or is the camera position that of voyeur or protagonist? The only way to figure it out is to spend some time with her! – S.D.

A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality.

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

A lonely German clerk captures two American flyers and keeps them as prisoners in his basement long after WWII has ended.

After a night of partying, Paul finds the body of his girlfriend in their shared apartment. Even his best friend Max believes he killed her in a drunken stupor. Nevertheless, he takes action to make the corpus delicti disappear - with a bone saw and a grain mill. But uninvited guests keep turning up, be it a neighbor, janitor, mother or colleague.

In his own Hotel Ritz, Sophie mistakes Johannes for the expected temporary waiter and is quickly trained in the supposed task. Johannes gets involved and gets to know the hotel business and the employees from a new perspective.

Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own conventionalities.

"Meeting place at Infinity" - Combines interviews with family members, contemporary witnesses, experts and critics, text passages as well as photo and film material with staged film scenes. The result is a portrait of the writer, his family and his time.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

A portrait of a relationship between a physically disabled man and an able-bodied woman.

The well-known pimp Jack Förnbeisser meets the married journalist Marlene Ellermann and is immediately fascinated by the beautiful and cultured woman. Spontaneously, he offers 100,000 marks for a night with Marlene. Outraged, the author refuses, but shortly afterwards meets Jack professionally to write a "portrait of a pimp." After a boozy stroll through the neighborhood together, which Marlene can only remember in fragments the next day, Jack transfers 100,000 marks to her and thanks her for the "wonderful night." Marlene is stunned, but meets with Jack again...

Veronika is a young, devoutly religious Berlin woman from a strict bourgeois background diagnosed with schizophrenia. She experiences a profound mystical awakening, leading her to believe she is chosen by God to experience and absorb all human suffering through extreme asceticism and indiscriminate sexual encounters.

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

A group of strangers explore their fantasies over a period of five days.

The story of Jacob Fabian, a somewhat liberal Berlin advertising copywriter who witnesses the collapse of the prewar German society during the 1930s.

Marie is an adolescent woman who lives in Prussia in 1813 with her mother, a countess. They live in a palace watching the path of history from a far point of view.

Sylvia Rosch is a woman with dangerous obsessions. Camouflaged by perfectly rehearsed masquerades, she wages a merciless campaign of revenge. Anyone who gets too close will succumb to an insidious murder. The marriage swindler's preferred victims are men worth millions. Barbara Lahn and Til Wegner from the BKA are facing a huge challenge. They are supposed to collect evidence against the angel of death.

The 13 days from April 20th to May 2nd, 1945, are unique in the history of Germany: They are the final act in the history of the Third Reich, which was supposed to last for a thousand years and succumbed after twelve in an orgy of violence and fire. In the catacombs of his bunker under the Reich Chancellery in the capital city of Berlin, which Adolf Hitler wanted to make the centre of the world, the dictator operates with ghost divisions during the final days of the war. Only in the final moment, he takes his own life. Meanwhile, On the streets, in the ruins, and the basements of the destroyed city, the final battle wages on: Adolescents are sacrificed without purpose, women get raped, loyal party comrades commit suicide in the thousands, Jews who were in hiding for years hope for the liberation.

Aged hairdresser Hans Anton Schatz still lives at home with his mother and works in the small-town salon around the corner. He adores the florist Melanie, but she is engaged to a wild Ruhr proletarian. Shortly before the wedding, she is overcome with panic and persuades Hans Anton to take a bus trip to Berlin. Hans Anton blossoms in the big city and falls in love with an extroverted TV presenter, whom he pursues all the way to her show.

Alexander, son and creative head of the traditional Brandenburg jewelry dynasty, is happily married to the lawyer Konstanze. One day, Helen Berg, a mysterious beauty, appears and casts an erotic spell over Alexander. Alexander is overwhelmed by his intoxicating love for this woman. But Helen has a mysterious plan: she observes his family and seeks contact with Konstanze and Alexander's mother Elisabeth. She deliberately begins to conjure up a family catastrophe.

Drinking, fighting, sex and soccer matches - on Saturday, the people in the Nordkurve have nothing but pleasure on their minds. It's all about lust at any price, fighting with all means, intrigue, deceit and blackmail. After all, the all-important game takes place in the afternoon and 40,000 people want to be there. Everyone is preparing for it in their own way, everyone wants to make the deal of a lifetime. Substitute player Niebitsch is eagerly awaiting his appearance. Player agent Roland F. Beyer is trying to pull off the really big deal. The club is on the brink of financial ruin. President Vischering only thinks about the invitation to appear on "Aktuelle Sportstudio". And Gottschalk begins to systematically get drunk. In the end it is clear: Herberger's wisdom "The game lasts 90 minutes" is wrong. The game lasts all day, every Saturday...

Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting. The film attempts to display sexual barriers and misconceptions, and about the role-playing and the confusion around the whole question of sexual and sensual involvement. The essence is the confrontation with self-deception, lies and the real fear of contact with both sexes.

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The main line gives but a small idea of the film, of its erotic style, its choreographic dimension, its strange fragmentation. The film drifts along an ever-renewed invention, intertwining lavish dances, mask games, musical comedy, parodies, permanent repression of the body offering itself as an object of desire to the viewer who is literally seduced.’

Adam Neumann is a member of a Jewish family living in Berlin. His grandfather, who has Alzheimer, is the head of this family and he had to leave the business because of his condition. The old man says that Adam is the reincarnation of a messiah and this unwelcome ideas start to bother the family. Adam becomes increasingly paranoid and gradually embarks on a spiritual quest, questioning his own reality. By accident or perhaps by chance, he reaches the beaches of Tulum, encountering the natural beauty of a place that will change his destiny.