Grace Phillips

Herbert Stempel's transformation into an unexpected television personality unfolds as he secures victory on the cherished American game show, 'Twenty-One.' However, when the show introduces the highly skilled contestant Charles Van Doren to replace Stempel, it compels Stempel to let out his frustrations and call out the show as rigged. Lawyer Richard Goodwin steps in and attempts to uncover the orchestrated deception behind the scenes.

A renowned ophthalmologist is desperate to cut off an adulterous relationship…which ends up in murder; and a frustrated documentary filmmaker woos an attractive television producer while making a film about her insufferably self-centered boss.

Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss Tony Vago. (Lembecke was innocent and took the rap for Vago.) Lembecke thinks Vago owes him big time so, when his former boss gets him a measly job in a warehouse, he decides on revenge and plans to steal a million dollars worth of drugs from him.

The Cleavers are an all-American family living in Ohio – wise father Ward, loving mother June, teenage son Wally, and 8-year-old Theodore, better known as 'Beaver'. Beaver hopes to get a bike as a gift from his father and to please him tries out for his school football team and he makes it, only to be embarrassed. The bike he gets is quickly stolen. Meanwhile, Wally is trying to help his friend Eddie Haskell to get the heart of pretty classmate Karen, but Karen seems to like Wally more, and that leads to tensions between the friends.

Ben Creed, a doctor still mourning the death of his love, meets a man who's created a machine that can transport anyone to a parallel world. For a chance to see his beloved Melody again, Ben risks everything and uses the machine. In this new—at once familiar and foreign—world, Ben meets an alternate Melody, but after he explains himself, she's uninterested in returning to his dimension.

Students at a girls' college are terrorized by spirits that haunt the institution. A haunted and disturbing horror about TV star Gina Phillips who goes to a private school and join a sorority in Montreal only to realize there is some voodoo and killer dolls in the basement.

Set in San Diego, the movie follows the desperate acts of Bill Templer head of a covert defense agency perpetrating a terrifying fraud on the American public - involving the imminent invasion of aliens - by leaking to the press a satellite image of an alien armada poised to strike earth. As terror of an alien attack spreads, the President of the United States orders the launching of Peacemaker, a surveillance satellite retrofitted with a nuclear warhead. Templer's elaborate plot is threatened when police detective Kevin Anjanette discovers that the alien images were faked. To protect his scheme, Templer swiftly unleashes the lethal head of his security, Ava Zurich, onto Anjanette. But it's soon revealed that an alien force actually does exist and is poised to strike if Peacemaker is used. In order to protect mankind from total annihilation, Anjanette must race to abort the nuclear bomb that will trigger the alien attack.

Adam Lewis finds himself unexpectedly stood up at his own wedding. Now, three years later, Adam cannot attend a wedding without becoming ill, much to the dismay of his new girlfriend, Holly. Eventually, the events surrounding the wedding put Adam and Holly's relationship to the test.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.