Dimitris Kitsos

Lena is a 20 year old woman who lives in Athens, works at a local supermarket and lives with her family.What if keeping her baby is the only way to keep her job?

Ten years after the 2004 Olympic Games, a group of boys live among the abandoned sports facilities of the Olympic Village in Athens. The boys stroll among the ruins, setting up games and organizing dog matings to make money. Dimitris and Anna try to escape from the Village and direct themselves towards the tourist hotels of the southern suburbs. As their adventures continue and the two children enter the tourists' lives, Dimitris' desire for acceptance will be tested in a violent way.

Financial upheaval forces a teenage deaf girl, Valmira 16, to leave her progressive Athens school and return to her father's struggling island where she is confronted by the danger of prejudice and intolerance, most shockingly -- her own.

The daughter of an overbearing mother enters the rich and strange world of her deceased father — a man she never knew.

Young Dimitris, on the verge of manhood yet very much a child, has romanticized his imprisoned father to mythic proportions. When he gets released after ten years, Dimitris cannot wait to finally know him and make up for lost time. But when his father reveals his true nature, Dimitris must face a great dilemma: will his need of belonging prevail over his sense of justice?

It's summertime in Athens and everything seems grey except for the fuchsia pink hair of lovestruck 15-year-old Elsa.

Aris, a lonely 48-year-old man, lives with a young beautiful girl who anticipates and fulfills all his desires without asking for anything in return, since she is a robot and the year is 2038. ELLi has a perfect human form, the most advanced artificial intelligence, and access to all the data of Aris in the Cloud, acting as the ideal personal assistant. Until its operational system is upgraded with Artificial Emotions - and now, feeling neglected, it demands to learn what love is.

Two couples of different ages get involved with each other: the younger ones see the deadlocks of the older ones as a gloomy possibility, while the older ones are “renewed” but also immersed even deeper into their own deadlocks. Time does not go back, mistakes are not corrected, and relationships end up cannibalistic.

Iris, a teacher in her early forties who works at a Fine Arts School, assigns to her students an exercise on a Free Subject. It is a time when social behaviours and values are being called into question. The 20-year-old students are thrilled at the idea of being free to choose their own subjects. They create an “imagination factory” that has no limits. After finding Iris’s lost cell phone, provocative Yorgos, bases his Free Subject on his fictitious recreation of his teacher’s life. Free Subject deals with the limits of individual freedom in contemporary Western societies.