Margaret Welsh

A Vietnam War–era drama chronicling the emotional journey of two unlikely friends who form a bond en route to Washington, D.C.

Set during World War II, an upper-class family begins to fall apart due to the conservative nature of the patriarch and the progressive values of his children.

Connie, the fifteen-year-old black sheep of her family, finds her summertime idyll of beach trips, mall hangouts, and innocent flirtations shattered by an encounter with a mysterious stranger.

A brother and his young sister come to a small town to find out a local gang terrorizes the population.

A teenage girl disappears and later turns up drowned, with a log across her back. Three years later, a former friend comes forward with some answers.

An ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.

It’s Harold Blodgett’s birthday, and the poor guy’s having a rough time of it. The alarm clock won’t shut off, his wife won’t wake up, the cleaner’s neglected to get that annoying stain out of his trousers, and so on. To cap it off, when he returns home from the office that same day, he finds a mysterious pair of shady characters lounging around his apartment. According to them, Harold hired them to murder his wife, and they’ve done just that. Have they? Did he? What’s going on here?

Shelby Coles (Halle Berry) is engaged to marry talented white jazz musician Meade Howell, but the pair face opposition from both Meade's family, who object to an inter-racial marriage, and Shelby's parents, who want her to marry a professional. As Shelby is afflicted by pre-marital doubts, handsome Lute McNeil arrives on the scene, determined to make Shelby his at any cost.

Having missed several deadlines, and with the studio's attorneys hassling him, screenwriter Elliot Callahan (Tom Gilroy) takes the advice of his agent and rents a beachside house on the island Nantucket to find the peace and quiet he needs to get the creative juices flowing. There he meets the seriously intense Henry Carver (Matthew Dixon), who's written a screenplay he wants Callahan to read. Before long, Callahan suspects that Henry might be a serial killer writing about himself and that his screenplay is worth plagiarizing.