Mikko Nousiainen

Sutki travels around Finland selling his wife's knitted mittens at market stalls. Business is slow, and Sutki's boisterous lifestyle doesn't help matters. Sutki is an enterprising salesman. In addition to mittens, he even manages to sell lottery tickets for the disabled. However, as his name suggests, Sutki gets himself into all kinds of trouble, both possible and impossible.

The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel.

A sequel to Soinio's film Kuutamosonaatti (Moonlight Sonata) of 1988. A rural family clings to life until the resourceful Sulo uses the salvific powers of sauna, moonshine, and tar to resurrect his injured brother Arvo, their deceased mother, and even buried revolutionaries. When Arvo drifts to Helsinki and falls into illicit moonshining and wild pursuits of a celebrity, Sulo and their revived mother set out to retrieve him from his urban excesses.

The Finnish army retreats during the war summer of 1944. Corporal Lauri Ojala is left on the wrong side of the Vuoksi River. He decides to break ranks with the army and goes home. Two months later, Ojala is forced to dig his own grave.

The story of a young poet who became a symbol for Finnish optimism and was subsequently forced underground during Tsar Nicholas II's oppressive dictatorship.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

No description available.

The film follows a boy and the relationship between his birth mother and step mother. Based on the novels by Aapeli.

A young man arrives in the village. He becomes a miller and delights the girls in the village, which evokes bitterness in others. He is subject to moralistic criticism, even though he is in fact only in love with the tailor's daughter.

For six hundred years Sweden had controlled most of Finland until the war with Russia that ended in 1809, when Finland became a Grand Duchy of the Russian Czar. This period drama is set during that early 19th-century war and focuses on one of its heroes, Sven Tuuva. Sven is a decent yet not too brilliant soldier, and his exploits are partly balanced here by the charms of a compatriot.

Mika's mother marries a man who is getting out of the jail. At the beginning everything seems to be all right. Mika leaves Oulu, an industrial city up in Northern Finland, to study in the capital, Helsinki. He does very well with his studies and also begins a relationship with the girl he knew already back in Oulu. Meanwhile the new husband reveals his true self - and all of a sudden things get very serious.