Edward Michie

After years working in Brazil, middle-aged engineer Martin Boyner returns to Switzerland to marry his longtime friend, the recently widowed Rose Sellars. En route, he encounters an old acquaintance and soon finds himself entranced by and then caring for her seven emotionally abandoned children. The oldest girl, Judith, quickly beguiles Martin with her unsettling blend of innocence and maturity. And suddenly Martin's orderly blueprint for the future is thrown into disarray as Judith's youth and spirit transform his routine life into a dangerously passionate new equation.

This is Palmer's highly controversial portrait of Brahms - a film that exploded the familiar image of 'stodgy old bearded Brahms' - a man whose first musical experience had been playing an upright piano in the brothels of Hamburg where he had grown up, and who at the end of his life lived a bachelor in Vienna having his every need satisfied by the prostitutes of the city whom he always affectionately described as his ‘little singing girls'. It is a celebration - of Brahms' unabashed, life-enhancing, sexually explosive music. Warren Mitchell portrays the composer