Christophe Salengro

A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.

In this radical and endearing black comedy, a group of retrenched female factory workers decide to pool their compensation money… and hire a hit man to liquidate their boss.

Regina meets charming Joshua while vacationing in Martinique, as she contemplates ending her whirlwind marriage to enigmatic Charlie. Upon her return to Paris, she finds that both her apartment and her bank account have been emptied, and her husband has been murdered. Stuck in ever-increasing danger and with four men pursuing her, another stranger offers assistance - but who can she trust?

The wealthy Deville family loses their fortune at the same time the unassuming Ricci family suddenly become internet millionaires; things look bleak until their mutual banker suggests Mr. Deville goes to work for the Riccis!

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An ordinary night in the village of Beugneux. Mademoiselle Tronchet discovers her brother Léon - a notary and a great collector of garden gnomes - hanging from the beams of the attic. It could be the start of a police intrigue.

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

Noël and Guy, two young Frincheux girls, tired of their condition of eternal unemployed interim, decided to become the Steve Jobs and Larry Page of the Presidency Grown.

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A group a young artists are making one last film before the final destruction.

Philibert, a robust lad and eldest son of an artichoke farmer, stands out from the other boys in the village. Idealistic and ingenuous, he foresees for himself a glorious future in artichokes and is saving his virginity for an as-yet-unknown woman chosen for him by God. Before he dies, his father tells him that he isn't his real parent. Philibert's real father was a gentleman murdered in the most cowardly way by a man from Burgundy who is recognisable by a rose-shaped strawberry birthmark on his neck. With a pouch full of ideals and artichokes, Philibert leaves his village and gallops towards Burgundy, accompanied by Martin, his rather deceitful manservant. Philibert's courage, kindness, physical and moral purity will thus be severely tested when faced with the baseness and venality of villains and the temptation of women each more lustful than the last.

An unequal battle between a small and skinny boxer, and a big and great boxer. The film is a mixture of animation and live action.

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Île flottante is not an island, nor a dessert, but a somewhat unusual cinema, floating, that's for sure! While in his booth, a young projectionist, nervous about launching his first screening, panics a little, at the entrance to the building, whose contours are difficult to make out in the foggy night, a queue forms, resembling a huge centipede of impatient people.

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55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

A musical comedy set to a hip-hop beat, the feature debut from actress-turned-director Blanca Li finds a dedicated young breakdancer abandoning his comfortable life in a bid for fame in the U.S.A. Dropping out of school and leaving home to escape his overbearing mother, 18-year-old David dedicates all of his time to perfecting his moves with his dance team, the Urban Cycle Breakers. As David and his team begin gearing-up to face-off against a rival group of intimidating dancers, his dreams of finding romance with Samia and making it to the world dance finals in New York finally seem to be coming into focus.

It is the year 2027 and the world has suffered an unspecified socio-economic catastrophe. The aftermath is so severe that even major cities are reduced to apocalyptic wastelands where food water and shelter are scarce. A scavenger named Gilles along with his teenage son try to find their way amongst the desolate remnants of Paris. All the while they must avoid capture outside the strict, daily curfew enforced by the masked agents of a shadow government and their ferocious dogs.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

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Professor Choron recounts with his memories as a child of a barrier guard, the 2nd World War with its horrors and the trains he saw during those years leaving for Germany or coming from there, full of French or German soldiers, in conquest or in rout according to the period

In a cinema, the day of the premiere of J'irai cracher sur vos tombes (adapted from his novel), Boris Vian has a heart attack. During his discomfort, he relives the major stages of his life: the meeting with Raymond Queneau, the nights of Saint-Germain-des-Prés, the scandal of J'irai cracher sur vos tombes, his love stories with Michelle Léglise then Ursula Kubler or his relationship with Jean-Paul Sartre. Through his memories, Boris Vian relives all his “parallel lives”.

This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town.

A wealthy man commissions an adult film producer to craft the script for a feature-length X-rated film.