Iro Bezou

Seems like an ordinary trip to a remote beach. Four young women enjoy the warmth of the sun, the coolness of the sea and one another's company. None of them is "Winona"

Summer in Athens. Nikos is a musician with no future who takes care of a villa while the wealthy owner is out. With nothing to do, Nikos decides to invite his ex-girlfriend Sofia over and force her to tell him why they broke up a year earlier.

The tragic story of three heroes: of Rina and her two sons, Antonis and Lefteris. Having emigrated years from Tbilisi, Antonis, ambitious and willing to evolve socially and turn back to his roots, maintaining relationship with the daughter of his boss, which he is about to marry. Lefteris, on the other, refuses to live in today, it remains weak and naive, while his behavior becomes increasingly strange - - increasingly freakish - Antonia visit scratches family dynamic and profound problems that haunt and three with axis archetypes Motherland, Mother and Love.

Anna and Eleni are unwillingly spending their summer in Berlin. On a Saturday evening, they find themselves strolling around, carrying an empty suitcase. They start singing. Soon they will have to face the unpredictably fatal consequences of a single wrong lyric.

On a terrace with the view of the concrete buildings, a plane tree and a little bit from Lycabettus mountain, two young people are flirting with the sense of love. Persistence, fear, and the view of the city will keep them together even for a few minutes. In order to understand what they really want, these few minutes are enough.

Going off on an inner quest to Tinos island in the Cyclades, the filmmaker attempts to define herself and her position in the world. She keeps shifting between two gardens and two father figures, while trying to deal with a personal loss, the defeat of a social movement, and a cinematic failure. What remains reads like a letter to the ever-missing father.

The performance is over, the actors step off the stage, the audience leaves the theater. However,in this case, the end marks the beginning. Eleven spectators star in their own tales, intertwined in a collage crafted by life itself. Restaurant and movie theater owners, immigrants and tourists, regulars and passers-by interact with the urban entourage and the people they come across, weaving a mosaic of endless possibilities.

Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.